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...eastern Long Island, as much a part of the coastal view as the countless red-and-white lobster pots from which he has, over the years, extracted a fortune worth a couple or three million dollars. Craggy-faced, silver-haired, attractively beefy, Duryea reminds you of a fine old patrician gentleman: so much money and style, and so little of the incisive wit or brilliance that might scare off the natives. He speaks the language of the east, which is to say he pronounces his words with a heavy Republican accent, and with the marked deliberation...

Author: By Francis J. Connolly, | Title: A New York State of Mind | 10/20/1978 | See Source »

...bringing were mixed blessings. His ad vantages could have cut him off from the world; instead, they helped him to perceive the miseries of those at the oppo site end of the social spectrum. His sympathy for the wretched of the earth was visceral. But he had undisguised patrician contempt for the middle class, those who hankered after comforts he took for granted and who felt threatened by the prospect of militant poor. Significantly, Kennedy's most bitter political enemies were men, like L.B.J., who had scrambled up from poor or straitened childhoods...

Author: /time Magazine | Title: Books: Re-Creation of the Way It Was | 9/4/1978 | See Source »

With law degrees from both Washington and Lee (LL.B. '31) and Harvard (LL.M. '32), Powell practiced law for 35 years with one of Richmond's oldest firms. His politics were those of a patrician Virginia Democrat, though he often supported Republicans in national elections. As chairman of the Richmond school board in 1959, he won a hard-fought battle against the state's segregationists, who were urging massive resistance to the Supreme Court's ruling on school desegregation. As president of the American Bar Association in 1964-65. he persuaded colleagues to support legal...

Author: /time Magazine | Title: Nation: The Man in the Middle | 7/10/1978 | See Source »

...shirt and pair of overalls displays exactly the right degree of grunge, wear and spattering. Consequently, the presence of these figures becomes almost hallucinatory. "Speaking likenesses" that cannot speak but cannot, at a glance, be readily told apart from their spectators, they lean against the Whitney's patrician white walls or sprawl on its carpet with the air of social intruders. One reacts to them first as people, because of their verisimilitude; then, after one's gaze has gone by them-social protocol discourages staring at people as sculptures are stared at-the double take happens, and because...

Author: /time Magazine | Title: Art: Making the Blue-Collar Waxworks | 2/20/1978 | See Source »

...sheet of gold leaf, it presents a young man who, from his curly hair, might be a cousin of Leonardo's boyfriend Salai. It is not, of course, the only masterpiece of portraiture in the show. The tradition of the Roman portrait bust was kept and amplified among patrician families. The show is also exceptionally rich in objets de luxe, ranging from a golden Aphrodite set on a lapis lazuli shell to The Casket of Projecta, a bridal coffer, dug up in Rome late in the 18th century, but made around 375 A.D. to celebrate a marriage of Christian aristocrats...

Author: /time Magazine | Title: Art: Between Olympus and Golgotha | 1/2/1978 | See Source »

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