Search Details

Word: patricias (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

Identity problems also plague Patricia Neal's daughter Tessa Dahl, 18. When Tessa decided to act, Bette Davis told her, "If you do a nude scene, I shall never speak to you again." Tessa does not want to do a nude scene, but she would do almost anything for a break. She promises to be her mother's double: tall and graceful with the same wide face and wide-spaced eyes; she has the same seductive smile. The only thing missing is what Critic Kenneth Tynan called Pat Neal's "dark brown voice." Her father Roald Dahl...

Author: /time Magazine | Title: People: Not Exactly Like Mom | 6/16/1975 | See Source »

John B. Butler, director of personnel planning, said yesterday that Patricia Slate, the Labor Department's primary investigator on the complaint, has been at Harvard within the last month...

Author: By Nicholas Lemann, | Title: Labor Department Continues Inquiry Into Bias Complaint | 6/11/1975 | See Source »

...Patricia Albjerg Graham, dean of the Radcliffe Institute, announced yesterday the appointment of 31 Radcliffe Institute Fellows...

Author: By Amy Wilentz, | Title: Radcliffe Institute Announces Thirty-One Fellows for 1975-6 | 6/11/1975 | See Source »

...most dazzling virtuoso we have seen. He is more spectacular in sheer technique than any other male dancer. What he actually does, no one can really define. His steps are in no ballet dictionary. And he seems to be able to stop in mid-air and sit in space." Patricia Wilde, who teaches in the A.B.T. school, has seen him "put a whole lot of steps together and do them in the air in perfect classical form. Most dancers do this on the ground...

Author: /time Magazine | Title: BARYSHNIKOV: GOTTA DANCE | 5/19/1975 | See Source »

...YORK CITY BALLET. Along with Martha Graham, George Balanchine helped lay the foundations of 20th century dance. In Edward Villella, Patricia McBride, Allegra Kent, Helgi Tomasson, Peter Martins and Peter Schaufuss, City Ballet has wonderful dancers. But it frowns on stars and remains a choreographer's company, mainly in the Balanchine mold. Too much of a good thing has resulted in high-quality, efficient but somehow uninvolved evenings. The return of prodigal Suzanne Farrell from five years abroad, plus increasing focus on Choreographer Jerome Robbins' wide-ranging talents, may create some needed excitement...

Author: /time Magazine | Title: Dance: Rites Of Spring | 5/19/1975 | See Source »

Previous | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | Next