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KIRKLAND HOUSE JCR: Ensemble Music for Harpsichord, Flute, Oboe and Bassoon, performed by Geraki Moshell, Barbara Jacobson, Patricia Morehead, and Ara Mackinnon...

Author: NO WRITER ATTRIBUTED | Title: Classics | 11/30/1972 | See Source »

DURING her childhood in Wisconsin, recalls Patricia Delaney, wine was a holiday treat, sticky-sweet muscatel reserved for family gatherings at Christmas. Her appreciation of what Ben Jonson called the milk of Venus broadened a bit during her travels as a TIME correspondent: in London the cellar of Justerini & Brooks was downstairs from her office. While reporting for this week's cover story on American wines, Delaney became a connoisseur of magnum-size skills...

Author: /time Magazine | Title: A Letter From The Publisher, Nov. 27, 1972 | 11/27/1972 | See Source »

...year-almost half of all California wine and nearly twice as much as its nearest competitor, United Vintners. Family owned, the Gallo company is one of the nation's largest privately held firms, and one of its most secretive. Until its top executives were interviewed by TIME Correspondent Patricia Delaney, they had avoided contact with the press for years. By best estimates, the company had revenues of $250 million last year and reaped profits of $35 million to $40 million before taxes...

Author: /time Magazine | Title: INDUSTRY: American Wine Comes of Age | 11/27/1972 | See Source »

CURRIER HOUSE SENIOR COMMON ROOM: Patricia Kopec and Jay Gottlieb perfrom music for viola and piano, viola solo, and piano solo by Milhaud, Fuchs, Debussy, Rachmaninoff, Copland, Liszt, Brahms...

Author: NO WRITER ATTRIBUTED | Title: music | 11/9/1972 | See Source »

...spectacular staging of Pippin makes the production-credits list a roll call of honor. Tony Walton's scenery functions with elegant heraldic humor. Patricia Zipprodt's costumes are eye-blinking dazzlers, as are Jules Fisher's lighting effects. But the star of stars is Choreographer-Director Bob Fosse. This man has the sixth sense of dance, and he uses it with undeviating intelligence. Call him the Balanchine of the musical comedy stage and you will not be far off the mark. Fosse knows that at its core, the American musical celebrates collective energy. The force that Fosse...

Author: /time Magazine | Title: The Theater: Medieval Hippie | 11/6/1972 | See Source »

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