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Died. Mrs. Joan Patricia Skakel, 39, Connecticut socialite and sister-in-law of Mrs. Robert Kennedy; of strangulation, when a piece of meat lodged in her larynx while she was dining in her Greenwich home, thus adding one more tragedy to the incredible series befalling the Skakel and Kennedy families. Her husband, George Skakel Jr., was killed last September in the crash of a light plane; his parents met a similar death in 1955; her daughter Kathleen, 17, was involved but later found blameless in the death of a neighbor's seven-year-old daughter last December, when...

Author: /time Magazine | Title: Milestones: May 26, 1967 | 5/26/1967 | See Source »

Friday's concert in the Kirkland House JCR was an example of the quiet, unsung side of Cambridge musical life. There couldn't have been more than 25 people in the audience; nevertheless, Joan Fuerstman (mezzosoprano), Patricia More head (oboe), and Philip More head (piano) provided an evening's entertainment that was totally enjoyable and had all the virtues that more ambitious musical efforts here often lack: modesty, musicality, and ingenuity...

Author: By Robert G. Kopelson, AT KIRKLAND HOUSE FRIDAY NIGHT | Title: Twentieth Century Chamber Music | 5/23/1967 | See Source »

...PLAYHOUSE (shown on Fridays). Crime and Punishment, Dostoevsky's tale of murder and eventual reckoning, starring David Collins and Patricia Hayes...

Author: /time Magazine | Title: Time Listings: May 19, 1967 | 5/19/1967 | See Source »

When Swanwhite (Patricia Hawkins) and the Prince (Tom King) appear, it is easy to see why Miss DeMott was confused. Their scenes together were dulcet and graced with a compelling sincerity. Both were good on stage, and at times Miss Hawkins managed an intensity of voice and expression which lifted her performance out of the production. Had the rest of the play been done slapstick, they could not have had their poety. But what tedium while we wait for them to enter...

Author: By Charles F. Sabel, | Title: Swanwhite | 5/15/1967 | See Source »

...inspired some of his finest ballets, Igor Stravinsky. For Stravinsky's spare, syncopated Capriccio for Piano and Orchestra, Balanchine created lively, Broadway-flavored footwork. In the hot atmosphere of scarlet costumes and lighting, his dancers bobbed, swiveled and stretched in patterns of perky wit and sexy grace. Patricia Neary clowned elegantly, and Edward Villella and Patricia McBride drew cheers for the jazz joie de vivre with which they bounded through their intricate roles...

Author: /time Magazine | Title: Ballet: Gem Dandy | 4/21/1967 | See Source »

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