Word: patrick
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Dates: during 1960-1969
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...sister magazine. Gentlewoman, and save the firm's other, money-making divisions, thereby boosting the company stock and setting up a multimillion-dollar capital gain for himself. In the Cottier situation. Gentlewoman was Woman's Home Companion, and the Morrissey role was played by smooth Financier J. Patrick Lannan, who with other industrialists held debentures convertible into 600,000 shares of common stock at $5 a share. The week Cottier s folded the stock sold for around $5, currently sells for about $25. In the novel Ridge Warren (who little resembles Collier's Chairman-President-Editor Paul...
Gift of Gab. In Yonkers, N.Y., after Patrick Crough. 53, was robbed of $8 by two gunmen, he told them such a hard-luck story that they gave...
...what brought Jack back was a far cry from a final determination. The indictment against him was dismissed on technical grounds by Judge Gerald Patrick Culkin, a second-generation Tammany wheelhorse. The indictment, ruled Judge Culkin, was defective because, under New York law, the conspiracy charge should have been separated from the charter violation charges; moreover, the indictment did not specifically state that Jack was aware of Ungar's business with the city when he accepted the "loan...
...commoner, Photographer Antony Armstrong-Jones, the editors of a top British authority on noble genealogy, Debrett's Peerage, came along to spoil the illusion that Tony is just an ordinary bloke. After 16 days of laborious climbing in a forest of family trees, Debrett's Assistant Editor Patrick Montague-Smith proclaimed that Armstrong-Jones is not only of royal blood but also a very distant kinsman of Margaret. In a complex chart, Montague-Smith submitted proof that Tony is 22nd in descent from King Edward I's daughter Elizabeth* Moreover, a medieval lord of Harlech...
Dear Liar is a "comedy of letters" that Actor-Director Jerome Kilty wove out of the 40-year correspondence between Mrs. Patrick Campbell and Bernard Shaw. What results is no play, nor is it meant to be. Katharine Cornell and Brian Aherne are intentionally dramatic instruments rather than impersonators. In form, the whole thing, which reached Broadway after a road tour of 66 cities, most resembles a set of verbal duets. Adapter Kilty, with an ingenious try, displays neat workmanship, and the two stars have gone gallantly at their rather anomalous roles. But pleasant and provocative as it is, Dear...