Word: patroclus
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
Allowing for much practical ellipsis and a few brazen disfigurations (it was Hector, not Paris, who killed Patroclus), the script by John Twist shows a commendable respect for the letter of the myth. It is the spirit that is Twisted. Homer's was a mythic drama in which gods and heroes, love and politics, war and religion moiled in the mortar of imagination. Helen of Troy is basically a story of hot pants in high places. The hero, accordingly, is not "godlike Hector" or "great Achilles" but "soft Paris," whom even Helen called a coward. As the part...
Other players in the cast of 30 are Thayer David, Pandarus; Jonathan Bishop '48, Helenus; William A. West '49, Achilles; Richard Grenier '45, Patroclus; and Jeanne Tufts of Boston's Actors' Theater Group, Cassandra...
...breast of a disarmed enemy who is in the very act of pleading at their knees. We see them triumph over a dying man by describing to him the outrages his corpse will endure. We see Achilles cut the throats of twelve Trojan boys on the funeral pyre of Patroclus as naturally as we cut flowers for a grave. These men, wielding power, have no suspicion of the fact that the consequences of their deeds will at length come home to them-they too will bow the neck in their turn...
...machine, forced down behind the enemy lines. He steals an enemy plane, wings his way toward his own camp. Meanwhile, his true friend, John Powell (Charles Rogers), hearing that Bruce has been shot down by the Germans, sallies forth, Achilles-like, to demolish Germania for its destruction of his Patroclus. His sputtering machine-gun bespeaks grim, relentless rage. Prussian planes careen downward, leaving swift trails of smoke. Sausage-shaped dirigibles collapse in flames, Armstrong in the German plane flies joyously toward his heroic friend but is not recognized. With volleys of oaths bursting from his mouth and volleys of bullets...
...classical selections in "Copey's" anthology there is, of course, a great plenitude. The grief of Achilles over the body of Patroclus; the death of Socrates; "Hark! Hark! the Lark" and "Full Fathom Five"; "Lycidas"; "To Althea from Prison"; Gulliver and the Lilliputians; Tristram and the Ass; the Pibroch of Donuil Dhu; "The Rime of the Ancient Mari-er" and "Kubla Khan"; Lamb's "Gentle Giantess"; Edward John Trelawny on how they burned Shelley's body; a great deal of Keats; more Tennyson; still more Thackeray and Browning and more Dickens than anyone...