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Word: patron (lookup in dictionary) (lookup stats)
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...opens with the power of ringing guitars and tight percussion assaults which combine to form an exciting, tension-filled narrative. Hollow echoes and vivid peaks evoke images of creation and destruction, and tracks like "Rods and Cones" and "Drumbone" will appeal to the electronic sensibilities of any Lansdowne Street patron...

Author: By M. ELIZABETH Glynn, | Title: Album Review: Audio by Blue Man Group | 12/17/1999 | See Source »

...process of preserving cultural authenticity, the cafe's owner is offending the American spirit of equal opportunity. Amanda L. Burnham '01, a frequent patron of Cafe Pamplona (and a Crimson executive too), became privy to this bias first-hand while looking for a job last spring. Burnham attempted to apply for the serving position advertised in the cafe's window. Though she did not talk with the owner herself, the waiter that Burnham spoke with told her that she shouldn't even bother applying...

Author: By Ariel B. Osceola, | Title: Fifteen Minutes: A Strange Brew at Pamplona: Waiters Wanted, Women Need Not Apply | 12/9/1999 | See Source »

Sure, I could know the history of the blues. I could tell you that it grew out of sharecroppers' songs in the Mississippi Delta, and that the patron saint of those gritty Delta blues is guitar virtuoso John Lee Hooker. I could tell you how the blues followed the sharecroppers as they looked for jobs up North, first in Memphis, where the blues would fuse with country music to create rock and roll, and then up to Chicago, where it would settle into a pulsing rhythm and produce the likes of Muddy Waters and Howlin' Wolf...

Author: By David Kornhaber, CRIMSON STAFF WRITER | Title: Genrecide | 12/3/1999 | See Source »

...buildings, up to this point, had only been occupied by portrait after safe portrait of this or that Harvard luminary. At that time, the University was more a champion of contemporary architecture (Corbusier's Carpenter Center, Gropius's Graduate School dorm and Sert's eventual Holyoke Center) than a patron of modern visual...

Author: By Teri Wang, CRIMSON STAFF WRITER | Title: Harvard's Color Fields in the Forest | 12/3/1999 | See Source »

That is the landscape contemporary artists navigate, at least on Phillips' map of the American century. But just to make sure the point is numbingly clear, she leaves one last reminder, one last relic of the exhibition's patron saint, by the elevators that take visitors down to the street. There, lined up neatly, is a group of 10 small Warhol silkscreens. In neon-bright inks on contrasting fields, a familiar symbol is emblazoned again and again. Dollar signs...

Author: /time Magazine | Title: Art: Creative Chaos | 11/22/1999 | See Source »

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