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Accent (CBS, 5-5:30 p.m.). At her 17th century palace in Venice, Peggy Guggenheim, expatriate U.S. art patron, is interviewed, following a TV viewing of her collection of 20th century...

Author: /time Magazine | Title: Time Listings: Aug. 25, 1961 | 8/25/1961 | See Source »

...rest of France was not so enthusiastic. He was rejected as a candidate to do a monument to Novelist Emile Zola. Aix-en-Provence commissioned a monument to his beloved Cézanne, then refused to accept the finished statue, a reclining nude. Even when Maillol found a sympathetic patron, Count Harry Kessler, art adviser to the German Kaiser, it turned out badly. World War I broke out, and the French angrily concluded that Maillol was pro-German, dismissed his beautiful nudes as so many plump Fräulein...

Author: /time Magazine | Title: Art: The Master of Banyuls | 7/21/1961 | See Source »

...have seen the figures of all the women of my native province." It was his last favorite model, plump Dina Vierny, who tracked down every work the master did and was largely responsible for assembling the current show. Now in her 40s, she still refers to Maillol as "le patron," vows "he will some day have a museum of his own, even if I have to build it with my own hands...

Author: /time Magazine | Title: Art: The Master of Banyuls | 7/21/1961 | See Source »

...year-old who is already the favorite apprentice of the local master painter in Leyden and is conceited enough to blurt: "Either I am a second Michelangelo or I'm an ass!" What follows is the detailed story of his success (when he wins his first noble patron), his failure (when his celebrated Night Watch insults prominent members of the local militia, whose faces he partially hid in the background), and his Job-like sufferings. One by one, father, mother, crippled brother and spinster sister go to their graves. Three children are either stillborn or die in infancy before...

Author: /time Magazine | Title: Books: Short Notices: Jul. 21, 1961 | 7/21/1961 | See Source »

...cash to compete with the U.S. "If money is so scarce," said Walker, "why do you buy in Switzerland a picture like the Lanskeronski St. George and the Dragon, whose only connection with English culture, so far as I can make out, is that St. George is the patron saint of England? We were anxious to purchase this picture ourselves, but it was too expensive for us. It is an indication of the immense riches you can draw upon when you desire." He might have added one more inconsistency: in 1961 Britain's imports of art have exceeded...

Author: /time Magazine | Title: Art: What's Cricket? | 6/23/1961 | See Source »

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