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...turns out that Harvard sailed on the same boat with Edward Hopkins, the uncle of Elihu Yale, a man who did a similar favor for a struggling New Haven college in 1718. Never mind the differences in the patron saints--Harvard was a stern religious man while Yale, the governor of Madras, used his official position to reap a fortune in the diamond trade and sent his wife off to England alone while he lived with a Portuguese mistress...

Author: By Jacob M. Schlesinger, | Title: Yale hates Harvard; Harvard doesn't care | 11/16/1983 | See Source »

...Frontiersman who became a minor patron saint of the Kennedy revisionists was Chester Bowles, the career diplomat. He thought that he had located a central problem with the Kennedy Administration. He feared that it deliberately, almost scornfully, detached pragmatic considerations from a larger moral context. To discuss the morality of actions was evidence of softness, and intellectuals with power in their hands cannot bear to be thought soft. Everyone carried the Munich model around in his head. One talked in laconic codes, a masculine shorthand; one did not, like Adlai Stevenson, deliver fluty soliloquies about the morality...

Author: /time Magazine | Title: J.F.K. After 20 years, the question: How good a President? | 11/14/1983 | See Source »

...patron blows into the $2,495 machine through a disposable straw. If the user is over the legal limit, the machine flashes a red-light warning that says, DON'T DRIVE. What happens after that is between the drinker and his conscience...

Author: /time Magazine | Title: Dividends: Breathe Before You Weave | 10/31/1983 | See Source »

With the capital created by the sale of shares, the Dunster grill expanded its line, venturing into baked goods in addition to hamburger and bagel fare. Brownies go for 75 cents and are described by one enthusiastic patron as "incredibly rich...

Author: By Mary Humes, | Title: The Grills Next Door | 10/29/1983 | See Source »

...both Artistic Director and Patron for the Boston Shakespeare Company. Sellars' commitment to Pericles and his perspective on it must result from much work, yet his points get lost in an amateur hodge-podge of avant-garde theatricality. He sacrifices crucial substance for a vapid style, believing his messages can still come across. The last scene seemed comical to much of the audience, but watching Sellars stare intently and emotionally at the stage, one quickly realized this was no farce to laugh at but serious stuff. Only...

Author: By Webster A. Stone, | Title: Beyond Interpretation | 10/21/1983 | See Source »

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