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...designed in imitation of a Renaissance palazzo--and the spirit of this exhibit is uniquely Renaissance: a syncretic selection of "the best." The impression is enforced physically. Walking through the linked upstairs galleries it's easy to imagine yourself strolling through the suite of a fifteenth or sixteenth century patron of the arts, some Italian prince, perhaps. "That's my last Duchess painted on the wall...

Author: By Eleni Constantine, | Title: Old Friends, Well Met | 5/3/1977 | See Source »

Hemispheres, which featured organic cooking and a crowded, "culture shlock" atmosphere, as one former patron put it, closed...

Author: NO WRITER ATTRIBUTED | Title: Hemispheres Gone; Voyagers To Come | 3/31/1977 | See Source »

Political heir. The opposition's patron saint is Jayaprakash ("J.P.") Narayan, 74, who is sometimes called the political heir of Mahatma Gandhi. It was he who declared two years ago that police and soldiers were not obliged to follow orders they regarded as unlawful -and thereby gave the government an excuse for imposing the emergency in June 1975. Narayan spent five months in jail without trial but was released in November 1975, when he appeared to be near death from kidney disease. For months he has been obliged to go either to Bombay or his home in Patna every...

Author: /time Magazine | Title: INDIA: Uniting Against Indira | 3/7/1977 | See Source »

...first act involves Carr, Gwendolyn (Katharine McGrath), Carr's sister and a Joyce patron, Joyce himself (played by James Booth), and Tristan Tzara, the Dadaist artist. While on orders from London to keep an eye on the Bolshevist Lenin, Carr finances Joyce's theater troupe in a performance of Ernest, for which Joyce promises him the lead role. After the opening library scene, the lights dim and the spotlights come out on Carr, an old man in a housecoat who sets the scene and reminisces about the old days in Zurich. The play, but especially this scene, showcases the talents...

Author: By Joseph Dalton, | Title: Pulling Out All the Stops | 3/3/1977 | See Source »

...sould like a lot of hype, but the benign neglect of the arts in this day and age warrents such commercialization. Reliance on ticket sales and unspecified patron donations all too often has forced the country's symphony orchestras to cut-down on concert schedules, to cut-down the players' salaries, and to program concerts to appeal to a wide audience, thereby foregoing the lesser-known though equally deserving works. The Boston Symphony is fortunate in having the satellite Boston Pops (which is composed primarily of Symphony players) to gross a huge annual sum. Through record sales (Arthur Fiedler...

Author: By Judy Kogan, | Title: Could George Plimpton Even Whistle Dixie? | 2/9/1977 | See Source »

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