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Inevitably, his profligacy drained his spirit. When he left for his last American tour, sick and penniless, he perhaps knew that the end was near. In one of his last letters to Princess Caetani, a sometime patron, he wrote: "It is not enough to presume that once again I shall weave up pardoned, and waddle and gush along the land on my webbed sealegs as musical and wan and smug as an orpheus of the storm: no, I must first defeat any hope I might have of forgiveness by resubmerging the little arisen original monster in a porridge boiling...

Author: /time Magazine | Title: Books: The Prodigal | 6/30/1967 | See Source »

Maver has reinforced the audience's identification with The Boss by placing him on a platform extended out from the stage. Much of the time he simply sits there, a patron himself, slowly absorbing the events of which he has chosen not to be part. Yet Gitter's detached performance is a masterpiece of contradiction. With small, restrained gestures, and occasional movements of the mouth with and without voice, he echoes and narrates the production. Physically he has come as close to Brecht as his appearance permits, but he is never even tempted toward mimicry, and the potentially cheap laughs...

Author: By James Lardner, | Title: The Plebians Rehearse the Uprising | 5/12/1967 | See Source »

...keeping his involvement in partisan politics a secret. It would be very embarrassing for the Mayor if there were an outright split in the party and the organization refused to endorse him in 1969. And this may happen if the organization decides that they stand to gain more patron age under a Democratic administration. Lindsay is convinced that he could win an overwhelming victory in a Republican primary even without the endorsement of the party bosses, and that the November election would become a mere formality. But a primary fight could very well hurt his standing as a national candidate...

Author: By Kerry Gruson, | Title: New York's Quiet Revolution: John Lindsay Builds a Machine To Dethrone City's Democrats | 4/29/1967 | See Source »

Walking Paintings. It is a wise child that knows its own father. Nicolette Devas, 55, British painter and novelist (Nightwatch, Bonfire), had two of them: her natural father, Francis Macnamara, best described as a genius-at-large, and her adoptive father, Augustus John, painter, patron of English gypsies, and uncrowned king of bohemia...

Author: /time Magazine | Title: Books: Bohemian Girl | 4/7/1967 | See Source »

...city's electorate rarely thinks of its mayor as a grand patron of architecture. But by the massive weight of budget appropriations for new construction, he is. And never is the mayor's lot more difficult, and challenging, than when he has to add to, and alter, one of the city's prized possessions. Last week two mayors faced such a task. Each took a different route to a solution, and both felt that they had not only preserved but even added to the city's heritage...

Author: /time Magazine | Title: The City: Adding to the Heritage | 2/24/1967 | See Source »

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