Word: patronizingly
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...policy is at once principled and self-interested. In demanding that the Islamists who reject violence be given a greater say in the political structure of Algeria, America lives up to its calling as international patron saint of democracy. The United States also makes clear that political Islam is not to be confused with its most radical manifestations. That is to say, Islamic fundamentalism ought not conjure up images of the World Trade Center bombing or the vicious anti-Americanism of the current government in Iran...
...terrorized populace by brute force. Yet its army is a rabble that could be swept aside by an American invasion force in a matter of days, if not hours. Cuba's communist government, by contrast, has survived 35 years of U.S. hostility and the collapse of its longtime patron, the Soviet Union. Despite growing anger and privation among Cubans, Castro retains a degree of popular support -- and a big, well-armed military force that makes a U.S. invasion too bloody to contemplate...
Does this make sense anymore? Except for flooding Florida with boat people, Cuba poses no threat to U.S. national security. It no longer has a nuclear- armed patron in Moscow buying anti-Yanqui mischief with $6 in billion annual aid. The whole world has passed by Fidel's moth-eaten socialism...
...strings. According to Uncertain Partners: Stalin, Mao and the Korean War, published last year by Stanford University Press with American, Russian and Chinese contributors, Kim made numerous trips to Moscow to convince Stalin that the South Koreans were ready to join his revolutionary forces. He also reinforced his Soviet patron's belief that the U.S. would never intervene in a Korean conflict. If the Americans would not help the Nationalist Chinese against Mao's forces, he argued, why would they come to the aid of Syngman Rhee? Kim won massive Soviet military assistance, inheriting all the weapons of the Soviet...
...craft, come out of so many textbook summaries and sound too regurgitated to be more creative than didactic. Original characters have always been his fort, and here, again, they are at once brilliant and painfully funny. Will LeBow as the art dealer, Sagot (both real and reputedly a patron of the Lapin Agile), pompous, self-important and fake when it comes to anything but buying and selling, lights up the stage with every appearance. Leslie Beatty as Germaine, the waitress, is sassy and direct and knows how to handle piggish men such as Picasso...