Word: pattered
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...Mighty Sages of the Feature Pages, fast satiric patter by three impersonators of Westbrook Pegler, Walter Lippmann, Boake Carter...
...finery do. In all of them, exaggerated copies of the true styles, or else utter disregard for any sort of style. Except one amazingly patrician and good looking girl who looks out of place. But there is a sincerity and eagerness in their movements. In a twinkling, they patter up the steps and are embraced by the great carved doors which close behind them so quickly that it is impossible to view them in detail. But they will emerge again, board an orange streetcar again, demand transfers again, and rattle off again southward or eastward...
...Hasty Pudding has once again served up a dish of varied entertainment, including the customary elements of political satire, night club patter, songs, romance struggling to be serious, and muscular chorus girls realizing that they're caricatures and making the most of it. The inevitable thrust at Yale is unusually satisfying, and some of the extraordinary political situations concocted by the authors yield flows of amusing cracks. An abundance of competent workmanship has gone into this show, "So Proudly We Hail," but it is lacking in the verve that would make it stand out in the history of Pudding theatricals...
...makes meagre use of his extraordinary repertory. At home in his hurly-burly 18 Club, Comic White welcomes visiting Babbitts with orchestral fanfares and vanishing birthday cakes, dons cop's garb to unsnarl traffic jams around the comfort stations, fishes for hecklers, whom he invariably outwits. His patter songs are masterpieces of non sequitur, leaping with dizzy unpredictability from Dixie dithyrambs to stirring on-to-war blather, with interpolations on foreign and domestic affairs. Louder than, and about as funny as Jimmy Durante, Jack White is 44, has been hoofing, gagging, minstreling, cabareting since 1911. More than anything else...
...measure a picture's importance, such as cast names, expensive sets and the fame of writers and directors, it should have remained merely a modest little musical for double bills. By a rare cinematic accident, it successfully refutes its sales bracket. Its gags and tunes are good, its patter fast. Above all it has the unprefigured value which is generated in a musical when most of the participants are young enough to enjoy their opportunities with relish and when the proceedings are not grave enough to numb them with anxiety concerning the results...