Word: pattern
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...sense of internal pressure confers urgency on these big surfaces and turns them into something other, and more physically compelling, than flat pattern. It's not that Scully has any strong sculptural impulse; when he makes one slab of a painting project an inch or two above the adjoining surface, it is still not meant to be seen in the round or to suggest material weight. But he does want to give the image the distinctness of a body, asserting itself against your gaze...
Whether deliberate or not, Bush seems to have developed a new pattern of reaction for these events. His calls to a dozen heads of state and his orders to ambassadors and military commanders set in motion literally hundreds of probes and pressures to pinch off the terrorist acts, perhaps the most comprehensive network ever stitched together so quickly and so quietly. That is much harder work than going to war, and the returns are not yet in. The use of force may still be the only effective answer. Bush's exercise of power is another experiment in the new world...
...notice how quickly the battle of the sexes has been heating up. These, in fact, are hard times for lovers; in the age of AIDS and the palimony suit, an affair of the heart seems less a matter of chemistry than of medicine and law and politics. The pattern now, it appears, is boy meets girl (or sometimes boy), quizzes on sexual history, comes clean with an update on his own antisocial diseases and puts it all down in writing, for the lawyers. Precoital tristesse, in short. Shall I compare thee to a summer's day? O.K. But remember that...
...profile to a % remarkable degree. He kept a video collection of episodes of her television show. He proudly displayed an autographed publicity photo of the actress, and he sent her "an affectionate letter" a year ago. He called her agency several times. Sadly, no one discerned in time the pattern of a fatal obsession...
This includes Western art history and aspects of Japan's own cultural past. Osaka native Yasumasa Morimura, for example, places himself as the main character in carefully staged and photographed "reproductions" of well-known Western paintings like Manet's Olympia. Tomiaki Yamamoto melds brushy abstract expressionism with the pattern-oriented design sensibility of traditional Japanese textiles. Often his splashy tableaux resemble spread-out kimonos. Typically, as in Untitled, 1985, they are covered with an obsessive, all-over rash of heavily impastoed, drippy dots. Far less theatrical but also keenly focused on subject matter and technique, sculptor Katsura Funakoshi creates blank...