Word: pattie
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Dates: during 1920-1929
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...Chicago, President Samuel Insull let nothing interfere. In consequence when the Chicago opera ended its home season last week, it ended also its residence in the Auditorium which 40 years ago was dedicated by President Benjamin Harrison and Vice President Levi P. Morton, with incidental music by Adelina Patti. Romeo et Juliet had been the first opera, with Patti as Juliet, and Romeo was the valedictory last week, with Edith Mason for heroine. Next season will open a proud 42-story building on Wacker Drive...
...everything in her favor that a fairy could possibly bestow on an operatic artist: a beautiful and amazingly expressive face; a voluptuous figure, with a rare grace of movement; a voice which, at its best-and it usually was at its best-was as lovely, sensuously, as Patti's and infinitely more soulful; a skill for acting realistically which amounted to genius, often making one forget the superlative beauty of her voice; and the supreme gift of magnetism." Henry Edward Krehbiel, his rival on the Tribune, accorded her "the most sensational triumph ever achieved by any opera or singer...
Mere mention that a song called "Cinderella" occurs in the first act, will explain the plot sufficiently. "Wear Your Sunday Smile" and the title song "Judy", pleasant and innocuous, are the songs sold at the door. As for the cast, Patti Harrold, dainty and unstudied, makes a charming heroine; Robert Armstrong, obviously out of place in musical comedy, a not-so-good hero. George Meeker, Edward Allen, and Frank Beaston, as Tom, Dick, and Harry, furnish the bulk of the humor, which depends more on their own antics than the rather weak book. Mr. Beaston especially stands...
...arranged a last performance in the famous place. Under the huge chandelier that once had gravely lighted the 3,000 elegants in hoop-skirts and tight trousers who danced there one memorable night (Oct. 12, 1860) under the eyes of Albert Edward, Prince of Wales? upon the stage where Patti sang, where Modjeska triumphed, where Edwin Booth, Salvini, Lawrence Barrett, John McCullough, Campanini, Ole Bull, sang or spoke or played, white-haired Otis Skinner, actor, made a little speech. He spoke well, with that fine courtliness, which distinguishes actors and field marshals in old age. But the people...
...operettas are presupposed to have good music. Sometimes they are favored with good voices. It was the peculiar perversity of this production to reverse the natural expectation. The brilliant voice of Orville Harrold is called upon to sing a score of rather ordinary quality. Assisting him was his daughter, Patti Harrold, of somewhat slighter voice and slighter figure. When these were not warbling, there were few bright spots, of which the humor...