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Even so, Lloyd Webber's creation is probably better than the ponderous London performance. Director Trevor Nunn excels at narrative clarity, which is present in the original, but not at nuancing characters, which is sorely needed with such miscast stars. As Norma, renowned for delicate beauty, Patti LuPone is too tempestuous, too earthy and too coarse of feature, especially her aardvark nose. As her lover, Kevin Anderson looks pudding-faced and pudgy, so long gone to seed that the supposedly vast age difference disappears -- until the finale, when LuPone inexplicably appears 20 years older than she was moments before. While...

Author: /time Magazine | Title: A Hollywood Opera Noir | 7/26/1993 | See Source »

...behind the drugstore instead of going to Mass. She was the one with the sense of humor, memorizing the candy-on-a-speeded-up-conveyor-belt episode from I Love Lucy; the one who was tone-deaf but couldn't care less, belting out Cross Over the Bridge, the Patti Page rouser, at top volume...

Author: /time Magazine | Title: Sisters Of Mercy | 5/31/1993 | See Source »

BUSINESS OFFICE: Patti Brasfield, Edith Fiato, Nancy Krauter, Karen Maikisch- Markle, Gail Portier, Marilynda Kelly Vianna (Managers); Laurie Berman, David Geithner, Ruth Hazen, Barbara Herrmann, Mary Moon, Edith Rosa...

Author: /time Magazine | Title: Time Magazine Masthead | 2/1/1993 | See Source »

...time musicals, Gerard Alessandrini is still skewering away -- wicked as ever. His 12th and latest off-Broadway review, FORBIDDEN BROADWAY 1993, is as up to date as Kansas City and as funny as anything that happened on the way to the forum. New shows (the flop Anna Karenina, Patti LuPone in the not-even-yet-produced Sunset Boulevard) are raked over the coals; old chestnuts (a frenzied Les Miz, a nontraditional Miss Saigon) are freshly roasted. The song titles alone delight (to the tune of Somewhere Over the Rainbow, a mock Mandy Patinkin sings Somewhat Overindulgent; the stars...

Author: /time Magazine | Title: Short Takes: Jan. 25, 1993 | 1/25/1993 | See Source »

...Movie Sound Track Should Be Accompanied by a Movie. The Leap of Faith album is a little masterpiece of gospel music, mixing the real thing (as performed by the Angels of Mercy, Patti LaBelle, Albertina Walker) with soulful tributes from pop acolytes (John Pagano, Wynonna Judd, Lyle Lovett). But the movie, like The Bodyguard, doesn't live up to the craft or fervor of its music. This tale of a tent-show evangelist (Steve Martin) -- he promises "miracles and wonders" while lining his pockets with the gullible hopes of decent people -- can't even take energy from Martin's holy...

Author: /time Magazine | Title: Why The Christmas Films Don't Sparkle | 12/28/1992 | See Source »

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