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...operatic voices are known to have developed before the age of 10. Last week some of her listeners were reminded of the greatest who did: Adelina Patti...

Author: /time Magazine | Title: Music: Prodigious Coloratura | 2/24/1941 | See Source »

...Most coloratura roles are in operas in which the heroine goes daft, is throttled, poisoned, knifed, or dies improbably of tuberculosis, along about 11 p.m. But in The Daughter of the Regiment, a coloratura has more chance for fun. The greatest singers of the last century-Jenny Lind, Adelina Patti, Marcella Sembrich, Luisa Tetrazzini-made the most of the chance, although the heft of the last two made the fun pretty heavy going. Lily Pons's principal worry is keeping her weight up to 105 lb., which she does by eating plenty of potatoes...

Author: /time Magazine | Title: Music: TRILLER IN UNIFORM | 12/30/1940 | See Source »

...sing, took her to Alberti di Gorostiaga, an elegant Spaniard who ignored French gender but knew everything about bel canto singing technique. Exclaimed di Gorostiaga: "Mlle. Pons, he is a charming, a gentle lady, he is the most hard-working pupil of my life, he has the range of Patti...

Author: /time Magazine | Title: Music: TRILLER IN UNIFORM | 12/30/1940 | See Source »

...musical life of London in 1888 had more Maggie Moores, Mile. Colombatis and Mme Belle Coles, forgotten today, than Pattis, Nordicas, Richters. Corno di Bassetto, busy with political agitating, missed a new Dvorak symphony and a concert by Harold Bauer (who played the violin for the first ten years of his career before becoming a pianist). Shaw on Patti: There has not yet been witnessed a dramatic situation so tragic that Madame Patti would not get up in the middle of it to bow and smile if somebody accidentally sprung his opera hat. She is simply a marvelous Christy Minstrel...

Author: /time Magazine | Title: Music: Basset Horn | 10/11/1937 | See Source »

Henderson and Aldrich were the last survivors of a critical age rich and already remote. They moved freely and importantly in the world of Henry Edward Krehbiel. Philip Hale, James Gibbons Huneker, Henry Theophilus Finck. Patti was more than a name to them, and Sembrich a vivid, unforgettable presence. Each had worked tirelessly to establish Brahms in the U. S. Each had seen Debussy's worth when inferiors were yelping about his "decadence" and "lack of form." The great fight over Wagner was no legend to them: they had helped...

Author: /time Magazine | Title: Music: Silenced Oracles | 6/14/1937 | See Source »

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