Word: patties
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...this great singer retiring at the peak of her career? "Because I like the sun best when it is high." Last week in Manhattan Death came to Marcella Sembrich who, save for Schumann Heink and Calvé, was the last survivor of an age which produced Patti, Lilli Lehmann, Melba, Nordica, Nilsson and the two de Reszkes...
Sembrich did her flawless trills in Lucia di Lammermoor at the second performance given in the Metropolitan Opera House. (Downtown at the old Academy of Music Adelina Patti was singing.) Sembrich sang with Caruso when he made his U. S. debut in 1903. She was with the Metropolitan when it visited San Francisco at the time of the great fire. Caruso, who was shaken out of bed, would never sing in San Francisco again. Sembrich was frightened, too. But she stayed to give a concert, earned over $10,000 which she divided between the choristers and the orchestra players...
Julia lived in an exciting world, and knew it. She heard Adelina Patti sing, was carried away by Johann Strauss's conducting, thrilled to Col. Jerome Napoleon Bonaparte's eyewitness account of Balaclava, wrote exclamation-filled pages on the Franco-Prussian War, and mourned, as even a poor little rich girl could, the Chicago Fire which swept away their grand house, her studio with its private staircase...
...stir when he came before the court and said: "I, Paganini, am not dead." He played none too well, and when Soprano Frieda Hempel did her old Jenny Lind act, she sang off pitch. But nobody minded, especially when Soprano Bori came forward. Soprano Bori that evening was Adelina Patti, dressed in crinoline, a wreath around her hair. "I, Adelina Patti." she said, "have a message for you from one of my much younger colleagues. Lucrezia Bori. The Metropolitan has been saved. . . . Lucrezia Bori thanks you." Well through the night the merriment went on. Royalty became democratic, went visiting around...
...buildings shared humans' love for revenge, the Chicago Auditorium last week would have been supremely, smugly satisfied. The old Auditorium, which President Benjamin Harrison and Adelina Patti helped dedicate 43 years ago, used to be headquarters for Chicago's social and operatic splendor. Four months after Samuel Insull opened his $20,000,000 skyscraper opera house, the Auditorium went into receivership, grew dingier & dingier while its longtime patrons went to the new plush-lined theatre on Wacker Drive. Last week the Insull House was dark and the Auditorium, refurbished at a cost of $125,000, was open again...