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...shouting comes from Patti Smith, 29, an intriguing newcomer on the rock-music scene whose first album, Horses (Arista), has been climbing fast since its release in November. A few months ago, she was just another aspiring singer on Manhattan's underground nightspot circuit. Grafted to primitive three-chord rock, Smith's raw soprano and often menacing lyrics emerge in an effect that is curiously vulnerable. With her fame spreading almost as suddenly as the sales of her album, some music executives see Smith as a potential Janis Joplin. Bob Dylan has paid a benedictory visit...

Author: /time Magazine | Title: Music: Say Yeah! | 1/5/1976 | See Source »

...PATTI SMITH: HORSES (Arista; $6.98). The author of two published books of verse, Patti Smith has worked as a musician intermittently over the past year or so, mainly in New York underground night spots. Dylan turned up at a performance recently-an event that confers rock's official blessing. Her debut record, like her wild-eyed poems, reveals an artist who is gifted but undisciplined. Leading off with Gloria in excelsis deo ("Jesus died for somebody's sins, but not mine"), her dark voice projects a tough, fragile, street-girl image. The showcase number, Horses, invokes Rimbaud...

Author: /time Magazine | Title: Music: Top of the Pops | 12/15/1975 | See Source »

This is a communiqué from the Gotham front: propaganda ease the long taxpaying days ahead - and a warning to the boonies that New Yorkers have not lost their greatest asset - gallows humor. The trio of Renny Temple, Patti Perkins and Len Gochman are so charming however that their hardest blow is gentlest satire. There is a visit to Cold Cash, New York's First Passionate Bank, and a chat with an ancient on a park bench who used to bet with his late wife - "Whoever goes first loses." Norman Mailer crosses the Hud son as the city-nation...

Author: /time Magazine | Title: Theater: Front-Line Report | 12/15/1975 | See Source »

Nona Hendrix, bathed in eerie green light, portrays the "System" while Patti and Sara sing to her: "System--Leave Me Alone." Nona does not represent the "system" of the 60's--the "fascist war-mongering machine," the "military industrial complex" which will bring riot police out to face protesters; she is the "System" which we in the 70's have to cope with: a system which uses seductive promises of monetary security and personal advancement to entice us into joining it. Was this song (written by Hendrix) something one could hear in a German cabaret during the Weimar Republic...

Author: NO WRITER ATTRIBUTED | Title: LABELLE | 12/14/1974 | See Source »

...behold. The spotlight found Nona on stage left with a black floor-length cape covering an enticingly sheer body-stocking with silver boots and silver plates, discreetly covering a minimal portion of her body. A huge white plume crowned her head. She and Sarah lifted their eyes upward as Patti Labelle appeared atop a 20-foot stairway in center stage, wearing a cape and train profusely ornamented with orange and black feathers, reiterating the program's theme and title of the group's latest LP recording with Epic, "Nightbirds...

Author: By Bruce Cole, | Title: Rock-Bottom Funk | 12/10/1974 | See Source »

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