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Word: pattiness (lookup in dictionary) (lookup stats)
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...rest of the world as well, quoting everyone from Angela Davis: "Let us then forge among ourselves and our movements an indivisible strength," to Phyllis Schlafly: "Why should we lower ourselves to 'equal right' when we already have the status of special privilege?" to Patti Smith: "As far as I'm concerned, being any gender is a drag...

Author: By Sarah M. Mcgillis, | Title: The Women's Boom | 2/27/1980 | See Source »

However, unlike Blondie or even Patti Smith, who often provide a similar message, Hynde writes songs too immobile to be enjoyable. This is not a "clarion-call for the Eighties" album: in fact, it has very little vision at all. Instead, it relies on the craftwork of an artisan--Scott--and the strange, appealing voice of this sophisticated woman to pull the music through. It just doesn't pull far enough...

Author: By Bruce Schoenfeld, | Title: Fallen Music | 2/12/1980 | See Source »

...show is astutely structured to elicit some sympathy for Eva (Patti LuPone) and to present her as something of a scrappy feminist. It begins with her funeral and ends with her death. In flashback, she flees from her barren pampas birthplace to glamorous Buenos Aires, arriving as the amorous baggage of a cornball bari tone guitarist (Mark Syers). She soon acquires a sardonic shadow, a one-man Greek chorus in the anomalous figure of Che Guevara (Mandy Patinkin). Che dogs every step of Eva's checkered ascent through calculated boudoir encounters and forays into stage, films and radio...

Author: /time Magazine | Title: Theater: Vogue of the Age: Carrion Chic | 10/8/1979 | See Source »

BORN. To Jimmy Connors, 26, perennially petulant tennis star, and Patti McGuire Connors, 27, Playboy's 1977 Playmate of the Year: a son, their first child; in Los Angeles. Name: Brett David...

Author: /time Magazine | Title: Milestones, Aug. 13, 1979 | 8/13/1979 | See Source »

...Lene Lovich: Stateless (Stiff/Epic) arrive via England from that paragon of excellent eccentricity, Stiff Records, where these young women are not only la-belmates but exemplars of the two extremes of rock vocal styles, contemporary female division. Lovich seems to have tak en vocal seminars from Nico and Patti Smith. Her songs (many co-written by Lovich) are feckless threnodies about lovelessness, entrapment and alienation. Sweet, who is sunnier in disposition, lays down a sort of teasing, jailbait rock that relies on snappy melodies and gum-cracking sensuality...

Author: /time Magazine | Title: POP: Sounds in a Summer Groove | 7/30/1979 | See Source »

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