Word: paul
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Dates: during 1970-1979
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...fidgeting alongside the old man as the show wearied into its third hour. And some of the choreography--the term may be too lofty--suggests John Travolta more than a Japanese noble. But the leads are all good. Donald Hovey's Nanki-Poo is bereft and expressive. Paul O'Neill's Pooh-Bah is engaging and suitably gorged, if a little stock. Dennis Crowley, as the Lord High Executioner is the spitting image of Alfred E. Neumann, and reacts to this madness just as the old man would, reeling off his "list" with pizazz. And Willis Emmons as Pish-Tush...
...condensed fame and status, and to do so it needed to be painted by one of the lions of the medium, those astonishingly facile and brisk painters who plied their trade in the upper reaches of a society through which they moved on almost equal terms with their clients-Paul-César Helleu, Jacques-Émile Blanche, Anders Zorn. In England and America, the most successful of all these virtuosos was John Singer Sargent, who became to the British Empire what Velásquez had been to the Habsburg court of Madrid or Sir Anthony van Dyck to Charles...
...course, the first film to deal with these issues. A number of American movies have re-evaluated the roles of men and women throughout the decade. The cycle began when Mike Nichols' Carnal Knowledge and Paul Mazursky's Blume in Love first used comedy to expose the hypocrisies of the bright but sexist American male. After the women's movement took hold, films like Martin Scorsese's Alice Doesn't Live Here Anymore and Mazursky's An Unmarried Woman went further by trying to spread a new, liberated feminine ideal to a mass audience...
...Paul Gray...
George Bush: He borrows a little from each of his competitors. Much of his thinking was pulled together during briefings by Economists Arthur Burns, Paul McCracken, Herbert Stein and Paul MacAvoy at Bush's summer home in Kennebunkport, Me. He urges an energy effort as metaphorically grand as "the landing on the beaches of Normandy...