Word: paule
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Dates: during 1950-1959
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...institution that has long characterized the true Senator. He memorized the 40 rules of the Senate; then he set up regular sessions with the Senate parliamentarian to study the precedents. As the years rolled on, Dick Russell became such a master of Senate procedure that Illinois' Paul Douglas once said: "I yield, though my knees are knocking, to one of the subtlest men and one of the most able field generals who ever appeared on the floor of the Senate...
...World Congress of Jewish Studies in Jerusalem last week, General Yadin advanced a new theory relating the scrolls to Christianity. Paul's Epistle to the Hebrews, he suggested, was addressed to converted members of the Dead Sea sect, the Essenes. Scholars have long wondered who the "Hebrews" of the epistle were, said Yadin. The answer is to be found in the similarities between the theology of the people Paul was addressing (as it can be deduced from Paul's arguments) and the known theology of the Dead Sea sect. The Essenes believed in the ascendancy of the priestly...
...rained down a hotter kind of fire. All that remained of the church at war's end was the crypt, the shell of the tower and the bare stone walls, all lying not a mile from the still intact magnificence of the much newer (1675-1710) St. Paul's. Planners in charge of the rebuilding of London marked off All Hallows as too far gone for restoration...
...discovered that priests and nuns were box office. Protestants were tossed a few films such as A Man Called Peter and Battle Hymn, but it was the Roman collar that looked best on Bing Crosby, Spencer Tracy and Pat O'Brien-not to mention Barry Fitzgerald, Van Johnson, Paul Douglas, Gregory Peck, Charles Boyer, Montgomery Clift, Henry Fonda, Charles Bickford, Karl Maiden, and even Humphrey Bogart and Frank Sinatra. All this adds up to vulgar exploitation of the Roman Catholic Church, says Film Critic Robert Brizzolara of The Voice of St. Jude, national magazine of the Claretian Missionary Fathers...
...Burton has staged Parts I and V admirably. But if this show is to survive on Broadway, he will have to be more inventive in Parts III and IV to compensate for Shaw's sagging script. Marvin Reiss's sets and John Boyt's costumes are quite adequate, and Paul Leaf has achieved some handsome silhouettes and stunning lighting...