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Word: paule (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...four with, composed of Paul Hoffman, Steve Brooks, Fritz Hobbes, Scott Steketee, and Andy Larkin, lost to Penn and Vesper Saturday. The four without, composed of Art Evans, Curt Canning, Cleve Livingston, and Dave Higgins--the stern pair and the bow pair--finished on Saturday behind Vesper and the Eastern Development Clinic working out of M.I.T...

Author: NO WRITER ATTRIBUTED | Title: Crew, Divided in Twain, Loses Twice at Nationals | 8/13/1968 | See Source »

Within a musical framework of this frenzied a pace there is no place for the eloquent bass guitarist building up elegant harmonies a la Paul McCartney, and John Entwistle knows and does better. A big solid unsmiling figure on stage dressed in black with a white ruffled vest ("I don't move around so I can wear fancy clothes") he is jovial and enourmously pleasant in the dressing room. "There's no other bass guitarist that's better than me because I don't play it like a bass guitar." And it's true, he doesn't. He plays...

Author: By Sal I. Imam, | Title: The Who | 8/13/1968 | See Source »

...Pope Paul VI, fading shadow of the past...

Author: /time Magazine | Title: Television: Singing the News | 8/9/1968 | See Source »

...Hotel in Amsterdam is more of the same, leavened with more humor. This time the Osborne spokesman is a caustic writer named Laurie (Paul Sco-field). Laurie, his wife, and two other married couples form the immediate entourage of a "dinosaur" of a film producer called K.L. They have fled their employer for a secret respite in Amsterdam, but they spend most of the evening talking about him and one another. Apart from the intramural shoptalk, the chitchat goes something like this. Dan: "Have you ever thought of airlines for homosexuals?" Laurie: "I say: what a splendid idea. You could...

Author: /time Magazine | Title: Theater: LONDON STAGE: FOSSILS AND FERMENT | 8/9/1968 | See Source »

...behind this elusive shadow play. Osborne has drawn a portrait of the artist in a middle-aged funk, a prey to the 5 a.m. hoo-ha's, chronically in pain, unappeasably romantic, listening in self-pity and dread to time's metronome ticking away with deadly austerity. Paul Scofield profiles Laurie with meticulous care, but he cannot quite manage that sudden, sneering, swooping descent into vulgarity that Osborne demands. When Scofield has to talk about some woman giving "the golden sanitary towel award," he seems to be holding the line out at arm's length between...

Author: /time Magazine | Title: Theater: LONDON STAGE: FOSSILS AND FERMENT | 8/9/1968 | See Source »

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