Word: pauls
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Dates: during 1940-1949
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Alan Valentine, 48, tall, handsome university president (Rochester) on leave (also Freeport Sulphur Co., Bausch & Lomb Optical Co.), was EGA chief in The Hague. He had come to The Netherlands at Paul Hoffman's persuasion, leaving two children in schools at home. He worked from 9 a.m. to 7 p.m., running a 41-man mission, visiting plants, farms, talking with business groups, trying (as he put it) "to get four or five important things done per day, but usually settling...
Said Editor Paul T. Busselle, who joined the Times 20 years ago and succeeded Townes: "I guess people are right when they laugh at me for calling it the 'news paper game.' It isn't a game any more, it's too much of a business...
...jury was composed of Corcoran Director Hermann Warner Williams Jr. and three painters: abstractionist Abraham Rattner, landscape and genre painter Paul Sample, and Pepsi-Cola Prizewinner Mitchell Jamieson (TIME, Oct. 4). Together they had spent a day in Manhattan and another in Washington, rejected close to 1,000 pictures (including some by top-notch artists) at each stop. What, Miss Genauer wanted to know, had been their basis of judgment...
Loyal at first only to his mother and his crippled brother (Arthur Kennedy), Midge gets his start in a fight-club preliminary. With a natural yen for money and bloodletting, he soon gets a professional manager (Paul Stewart) and starts dropping other middleweights like bulls in a stockyard. He also becomes adept at dropping his friends, usually with a kick in the teeth. In one way or another, he gets rid of his bride (whom he married at the point of a gun), his manager, a couple of girl friends, and even his brother...
...minded, penetrating character study which makes Midge neither an inhuman monster nor a whining victim of circumstances. It simply focuses a hard glare on his unreflective brutality, his arrogance and his bursts of self-interested decency. Much of its punch comes from the sensitive performances of Arthur Kennedy and Paul Stewart. Its final wallop it owes to Kirk Douglas, who fills out every corner of Kelly's unattractive pug with bulging assurance and conviction...