Word: pauls
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...occasional musical interlude). But it’s also a drama about events which took place 200 years ago driven by theories of theater half that age. One look at the show’s original 1963 title, “The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade,” should raise a flag: this is not a straightforward piece of writing...
This play is also known as “The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade.” We’re not sure what it’s about, but it supposedly involves “a sleepwalker with a knife, a firebrand ex-preacher, four gin-riddled singers, a sexual maniac with a wig, a schizoaffective historical re-enactor, a histrionic man in a bathtub, his mistress, and a Spanish guitar...
...based on true events. In the early 19th century, Sade was indeed imprisoned in Charenton, where he staged performances using other inmates as actors. The play within “Marat/Sade” focuses on just one of these stagings: Charlotte Corday’s murder of Jean-Paul Marat at the height of the French Revolution’s political terror...
...first film left off with the brothers, Connor (Sean Patrick Flanery) and Murphy MacManus (Norman Reedus), aided by their fresh-from-prison father (Billy Connolly), and a slick, sharp-tongued FBI agent, Paul Smecker (Willem Dafoe), killing off the head of the Yakavetta crime family in a courtroom. Though they lost their buddy Roc (David Della Rocca), a bumbling, Mafia delivery boy, in the process, they seemed well on their way to completing their mission of eliminating Boston’s “scum”: mobsters, pimps, drug dealers, in short, anyone who offends their sense of right...
Most importantly, however, the MacManuses enjoy the unspoken support of the Boston Police Department, which falls all over itself to keep them safe and out of jail as the body count rises. Taking the place of morally conflicted FBI Special Agent Paul Smecker (Willem Dafoe) is his protegé Eunice Bloom (Julie Benz), a sassy southerner who stalks the city in Christian Louboutin stilettos and keeps her gun in a leather holster draped about her svelte waistline. Sharing her mentor’s clairvoyant crime detection abilities, she manages to simultaneously anger and entice her male coworkers while conjuring...