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...event was one of many, as part of a theatrical initiative by Harvard's American Repertory Theater. A.R.T. Artistic Fellow Allegra E. Libonati said that A.R.T. Artistic Director Diane M. Paulus '87 wants to encourage these types of artistic expression...

Author: By Keren E. Rohe, CONTRIBUTING WRITER | Title: À La Glee, Students Break Out In Song and Dance | 4/15/2010 | See Source »

Last spring, American Repertory Theater (A.R.T.) director Diane M. Paulus ’87 gave undergraduates fifty free tickets to her production of “Hair” on Broadway. This month, students benefit from further collaboration with the A.R.T.—but they also learn that it’s not all fun and games...

Author: By Anita B. Hofschneider, CRIMSON STAFF WRITER | Title: 'Stairs' Leads Collaborative Effort | 2/2/2010 | See Source »

...weak writing is but one of this production’s many errors. What has been so successful in the A.R.T.’s season thus far—active spectatorship—simply makes no sense in this show. Weiner and director Diane M. Paulus ’87 attempt to break down the fourth wall and make the audience active participants, from the house manager’s opening announcement to the juvenile and unnecessary narration. In one moment, a character stops to ask if the audience has noticed the two men in trench coats and sunglasses...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: ART's "Best of Both Worlds" Unfortunate Misnomer | 12/7/2009 | See Source »

...Serena actually enter from behind the set’s giant garage door in a burst of fog, light, and gospel song. As the resurrection is the emotional climax of the show, this execution is both disappointing and baffling. The fourth wall is indeed broken, but perhaps not as Paulus intended; instead, the audience is taken out of the moment, wondering what the characters are staring...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: ART's "Best of Both Worlds" Unfortunate Misnomer | 12/7/2009 | See Source »

Teachers involved in the program include Scott Zigler, the director of the A.R.T. Institute, Diane Paulus, the A.R.T.’s artistic director, Jim True-Frost of “The Wire,” and Anatoly Smeliansky, the Dean of the Moscow Art Theatre School, among others. The classes explore various elements of the acting experience, including voice and speech training, character work, Shakespearean scenes, theater history, and even a class on yoga for actors. A seminar involving the business side of acting is also included, touching on topics such as agents and casting directors, the differences between...

Author: By Jenya O. Godina, CONTRIBUTING WRITER | Title: A.R.T. Offers J-Term Theater Training | 12/4/2009 | See Source »

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