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Rose Valland looked nondescript - an ideal trait for a spy. Gray and unglamorous, with black-rimmed glasses that gave her a perpetual frown, she was virtually invisible to the Nazis who, in 1940, were using the Jeu de Paume museum in Paris as a depot for thousands of plundered art...

Author: /time Magazine | Title: Spoils of War: Looted Art | 3/6/2008 | See Source »

PARIS Edward Steichen A retrospective of 400 of Steichen's photographs (right) are on exhibit for the first time ever in Europe at the Jeu de Paume museum (through Dec. 30).

Author: /time Magazine | Title: Calendar | 11/19/2007 | See Source »

The elegant, extensive retrospective Edward Steichen Lives in Photography, which opened this week at Paris' Jeu de Paume, begins with a giant 5 m by 4 m shot of Manhattan's George Washington bridge. Feel free to make your own analogies. After all, Steichen (1879-1973) bridged the transition from...

Author: /time Magazine | Title: Looking Back on Edward Steichen | 10/19/2007 | See Source »

Naturally, Orsay begins with an advantage: the huge, untapped reserves of France's government-owned 19th century art. These collections of painting and sculpture were spread very widely, throughout Paris and on loan to regional museums and government offices. Orsay has called them in and resifted them. The best-known...

Author: /time Magazine | Title: Art: Out of a Grand Ruin, a Great Museum | 12/8/1986 | See Source »

The paintings in this exhibit were garnered from 38 museums and 19 private collections, according to the exhibit's organizers. The most generous lenders include Paris' Musee d'Orsay (Galerie du Jeu de Paume), which offered 10, and the Sterling and Francine Clark Art Institute in Williamstown, Mass., which offered...

Author: NO WRITER ATTRIBUTED | Title: Renoir Exhibit Reaches MFA | 10/5/1985 | See Source »

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