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Word: paupered (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...essentially a tour de force, and Wilder's publishers were surprised at its runaway success. Bridge won the Pulitzer Prize, sold more than 2.000,000 copies, was translated into some two dozen languages and two bad motion pictures. As produced for CBS by David (Prince and the Pauper) Susskind, the Bridge was cliffs-above-average TV, but it still creaked of banality, of too many artificial characters acting intensely about too little. And it completely missed Wilder's subtle mockery of Calvinist theology and his "animal repudiation of my father's notion that what happens...

Author: /time Magazine | Title: Television: Review | 2/3/1958 | See Source »

...major bright spot of the season is the "special," as TV now calls its "spectacular." The genre produced one sheer disaster-Mike Todd's go-minute commercial for Mike Todd on CBS-but its batting average has been lifted high with such hits as The Prince and the Pauper, The Green Pastures, Annie Get Your Gun and the NBC Opera production of Poulenc's Dialogues of the Carmelites. Most of these were in color, but there was still no big breakthrough in sales to U.S. homes of color sets, which now number only...

Author: /time Magazine | Title: Television: Year of the Horse | 1/6/1958 | See Source »

...Prince and the Pauper: For its one-night stand on the DuPont show, CBS's 90-minute version of Mark Twain's soufflé of make-believe, abounded in virtues that spell "longrun" to Hollywood-a sumptuous production, an exciting, neatly organized story, topflight performances soundly directed. Producer David Susskind, searched seven weeks in the U.S. and abroad to find a pauper (Johnny Washbrook) to match Rex (The King and I) Thompson's prince, coddled his show through three weeks of rehearsal. Amid a staggering 19 sets, Director Daniel Petrie moved his cameras and 100 players with...

Author: /time Magazine | Title: Television: Review | 11/11/1957 | See Source »

...cruel 16th century England, e.g., a weepy woman waiting in a cell to hang for stealing a yard of yarn; a bandaged old man who lost his ears for criticizing the Lord Chancellor; and the prince's whipping boy, hardly bigger than the Great Seal used by the pauper to crack nuts in the palace. But the play's most memorable image was its gentlest: a lovely little girl (Patty Duke, 8) finding the tattered prince-by then the king-asleep in a haystack. The prince identified himself as "the king" and, while a tiny kitten pawed...

Author: /time Magazine | Title: Television: Review | 11/11/1957 | See Source »

...Splashiest of all will probably be The Du Pont Show of the Month, offering ten 90-minute spectaculars: Paul Gregory's Crescendo, a mishmash of American music with Ethel Merman, Rex Harrison, Louis Armstrong, Carol Channing and Peggy Lee; Mark Twain's The Prince and the Pauper; a musical edition of Junior Miss; and a Cole PorterS. J. Perelman musicollaboration on Alladin. To plug the Ford Motor Co.'s new Edsel, Crooners Bing Crosby and Frank Sinatra will team up for the first time on TV. And Producer John Houseman's new Omnibus-type show...

Author: /time Magazine | Title: TV & Radio: The New Shows | 9/2/1957 | See Source »

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