Word: pauperes
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...test of a cinema producer is his ability to solve two problems at the same time. Ready for simultaneous release in 275 U. S. cities last week was Producer Wallis' exceedingly neat finesse of his dilemma: Billy & Bobby Mauch in Mark Twain's The Prince and the Pauper, last made as a silent picture with Marguerite Clark playing both roles...
...Prince and the Pauper starts on the day in 1537 when boy infants are born simultaneously to Henry the VIII in Windsor Palace and to Pickpocket John Canty in Offal Court. Young Prince Edward thrives at the court, under the tutelage of the Duke of Norfolk (Henry Stephenson). Young Tom Canty thrives in the gutter, with Latin lessons from Father Andrew and whackings from his father (Barton MacLane). Prowling about London one day, Tom crawls under a bench outside the castle to take a nap. The Captain of the Guard hauls him out and is giving him a thrashing when...
Biggest scene in The Prince and the Pauper is naturally the Coronation, for which Warners used their big new Stage 22, too ft. longer than the lot's ordinary 40-ft. stages; a small army of extras, the St. Luke's Choir and six technical advisers. In this scene Tom Canty, already prayed over, sworn and anointed, is about to get the crown when Prince Edward comes scampering up Westminster Abbey's central aisle to present his claims. When Tom Canty corroborates them, the Archbishop of Canterbury agrees to crown Edward if he can tell the whereabouts...
...Prince and the Pauper is not and does not aim to be screen drama of cosmic import, superspectacle or Hollywood picture-poem. It does aim to be, and is, a frisky, fresh and wholly likable comedy by the best comic writer, for the screen or otherwise, whom the U. S. has yet produced. Directed by William Keighley, acted by Warner Brothers' most high-powered cast since Midsummer Night's Dream, staged by Robert Lord and scored by Erich Korngold, it should amply grace next fortnight's Coronation. It should also grace, if not climax, the careers...
...eyed and improvident, set up his easel to paint Hendrickje Stoffels as Juno, swathing her in paste jewels and the rich worn old velvets he loved so well. As patrons of the current cinema Rembrandt will recall (TIME, Dec. 14), Hendrickje was his housekeeper and mistress. Rembrandt died a pauper, was forgotten for generations, was rediscovered and has now become among the highest priced and most frequently forged of all Old Masters. Last week it was made known that another Rembrandt, just discovered, had reached the U. S. Art critics put aside the suspicion that an announcement of this sort...