Word: pavarottie
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...many supersingers around now, and the Met has been hiring them less frequently. Last week in its first production of Vincenzo Bellini's I Puritani in almost 60 years, the company reverted to its grand old ways, presenting three top international singers-Joan Sutherland, Luciano Pavarotti and Sherrill Milnes. It made a particularly satisfying, old-fashioned night at the opera...
...fitting backdrop for the evening's vocal triumph. In the current vogue for bel canto opera, I Puritani appears increasingly in the repertory of major companies. Often the production is not much more than a vehicle for a soprano. But the Met also offers a stirring male trio: Pavarotti, Milnes and James Morris, 29, whom the company has brought along carefully. Though Mimes' baritone is too dramatic for a legato line, his declamations are thrilling. Pavarotti, a money tenor in the way that Tom Seaver is a money pitcher, revels in his recklessly high flourishes. Sutherland fits into...
Some 325 members strong, the Met flew to Japan for a three-week visit. The company brought along stars like Joan Sutherland, Marilyn Home, Adriana Maliponte, Luciano Pavarotti, Franco Corelli and John Alexander, and three of the most popular works in its repertory: Puccini's La Bohème, Bizet's Carmen and Verdi's La Traviata. The stand began with Traviata at Tokyo's 4,000-seat NHK (Nippon Hoso Kyokai, or Japan Broadcasting Corp.) Hall. With Soprano Sutherland dying rapturously as Violetta and Tenor Alexander showing a cad's remorse as Alfredo...
Puccini: Turcindot, with Joan Sutherland, Luciano Pavarotti, Montserrat Caballe, Nicolai Ghiaurov (London Philharmonic, Zubin Mehta conducting; London; 3 LPs; $17.94). Puccini's last opera is filled with bold orchestral touches and ravishing arias made to order for an all-star cast like this. Though she does not erase memories of the Nilsson Turandot (especially in the RCA set with Tebaldi and Bjoerling), Sutherland is now the only coloratura around with the right tessitura and sufficient vocal weight-at least on records-to bring off the role of the riddle-happy princess. A delight...
Puccini: La Bohème (Mirella Freni, Luciano Pavarotti, Berlin Philharmonic, Herbert von Karajan, conductor; London; 2 LPs; $11.96). The LP era has had three recordings of Bohème good enough to be called great. The first two were the Toscanini (with Licia Albanese and Jan Peerce as Mimi and Rodolfo) and the Beecham (Victoria de los Angeles and Jussi Bjoerling), both still available in low-priced reissues. Here is the third, with the unpredictable Karajan sculpting the orchestral part with an irresistible flow befitting the Toscanini approach and a touching songfulness that Beecham might have applauded. The bella...