Word: pavilion
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Dates: during 1950-1959
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...hand for the Soviet Union's three "National Days" at the Brussels World's Fair, small, smooth President Kliment E. Voroshilov reeled out a party line of chatter while moving in and out of pavilions. Coming model-boyishly away from a U.S.-style voting machine, he said, "I voted for peace." Remotely controlled mechanical hands that struck a match were "symbolic," for "one day an inventor might put together a machine aimed at destruction, and might be tempted to try it. This we should stop in time." In the Hungarian pavilion, a panorama of Budapest called up Voroshilov...
Curtain Up. Day before the Brussels opening, Music Director Samuel Krachmalnick set about rehearsing a pickup orchestra of phlegmatic Flemings. A Brussels milliner, working from a photograph, in six hours ran up helmets for The Combat. At the scheduled time, in the U.S. Pavilion theater, the curtain rose on the Ballet Theatre. The first work on the bill was Theme and Variations, but variations predominated: girls in Sylphides tutus and men in tights, which had just arrived from New York, leaped and twirled against a backdrop from Gala Performance...
Cuckoonik. In Brussels, at the World's Fair, Milwaukean Albert O. Trostel Jr. wondered what made the beep in the souvenir Sputnik he bought in the Russian Pavilion, pried it open, found the words Made in Switzerland...
Russia's official style of architecture has long been stuck back in the Woolworth Building era. But the design of the U.S.S.R.'s hangar-like pavilion at the Brussels World's Fair, with its glass walls and trussed cantilevers, shows that Soviet architects are striving to catch up. If they want to take some tips from American building, they have an opportunity in a handsome, 82-panel photographic display of what is best and most typical in U.S. architecture today, on view this week at Moscow University. The first exhibit of U.S. building in the U.S.S.R. since...
...applause that Conductor Jean Morel had to come back and lead two encores from Stravinsky's Firebird. And the main fairgrounds competition the Juilliard musicians had to buck came from another U.S. group: Jerome Robbins' "Ballets: U.S.A." troupe, which at the same hour was packing the U.S. Pavilion Theater by presenting such gustily American dance pieces as The Concert and New York Export: Opus Jazz...