Word: pavilion
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Dates: during 1960-1969
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...supplement its static sights, and it has been estimated that a cinema addict could spend every minute of Expo's 183 days at a screen and still not see every frame available. One of the most sensational flicks: the mad, mad show at the Labyrinth, a five-story pavilion built by the National Film Board of Canada. The feature is prosaically called "The Story of Man," but during the 45-minute film the viewers move from chamber to chamber, eye-witnessing a re-creation of the Greeks' Minotaur myth. At times, members of the audience see the movie...
...quarter of a century under the command of the late Henri Soulé, Manhattan's Le Pavilion was the shrine of haute cuisine in the U.S. Hélas, since Restaurateur Soulé's death last year, the eatery has slipped a bit-at least to the palate of the New York Times's fastidious Gastronome Craig Claiborne, who dropped in a few times to see how the fare was faring under the new management of sometime Hotelman Claude Philippe. Aside from the prices ($173.90 for a relatively modest dinner for six) Claiborne sadly reported that...
...Angeles County Museum's forthcoming "American Sculpture of the Sixties" show, electricians were readying Stephen Antonakos' Orange Vertical Floor Neon, Chryssa's Fragments for the Gates to Times Square II and an untitled work by Dan Flavin. At the heart of the U.S. pavilion at Montreal's Expo 67, technicians were putting into place Robert Rauschenberg's brand-new illuminated watt-chamacallit...
...original building in the three-unit hilltop complex-a 3,250-seat music hall named the Dorothy Chandler Pavilion after the center's prime mover-opened 2½ years ago. Last week two handsome new structures were opened: the 2,100-seat Howard Ahmanson Theater for drama and musicals and the 750-seat Mark Taper Forum for chamber music and experimental plays. Together they give Los Angeles a visual fulcrum, not to mention one of the most versatile performing-arts centers in the country...
...boasts a thrust stage surrounded by a semicircle of seats banking gracefully upward for 14 rows. The farthest spectator is just barely 16 yards from the action and the sound is superior. Considering its impressive size, the Ahmanson Theater is also remarkably intimate; as in the trail-blazing Chandler Pavilion, Architect Becket has replaced the traditional shoe-box-shaped auditorium with an almost perfect square. The proscenium is as wide and as high as the walls and ceilings, the stage semithrust...