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Viet Nam is a dark, broody obsession at the heart of David Rabe's three dramas. The Basic Training of Pavlo Hummel turned a man into an infantry cog and spun him off to combat and death. In Sticks and Bones, which CBS refused to air after complaints from local stations (TIME, March 19), a blind veteran returned to his bland-as-cornflakes family and found that they could not stomach his 20-20 insight on the U.S. and the war. In The Orphan, at off-Broadway's Public Theater, Viet Nam is not actively present except...

Author: /time Magazine | Title: The Theater: The Vortex of Evil | 4/30/1973 | See Source »

...Basic Training of Pavlo Hummel. Open Circle Theatre. 76 Warrenton St., Boston. 7:30. Tues. Fri. 5. 9. Sat. 3. 7:30 Sun. Through...

Author: NO WRITER ATTRIBUTED | Title: the stage | 5/11/1972 | See Source »

...sees for a truly indigenous and exciting American theater: "The talent here, the neuroses here--they're great for the theater!" (Pacino himself is currently displaying his own prodigious talent, and possibly his neuroses, in the title role of David Rabe's mordantly compelling play. The Basic Training of Pavlo Hummel, at the Theater Company of Boston...

Author: By Julie Kirgo, | Title: Bronx Boy Makes Good | 5/10/1972 | See Source »

...Pavlo tells how a Regular Army slob stumblingly pursues through boot camp and battle the mythic promise of the recruiting posters that THE ARMY WILL MAKE A MAN OF YOU! Pacino makes Pavlo a walking antipersonnel device, a Bouncing Betty that chops his foes, and himself, off at the crotch. Pacino's previous roles (most conspicuously, Michael in The Godfather) have blazed with a menace that he now transforms into a quivering, infantile bravado, a would-be Lieut. Galley, played for explosive laughs. The only buddy he rescues is a dead one. The only atrocity he achieves...

Author: /time Magazine | Title: The Theater: Rags of Honor | 4/24/1972 | See Source »

...play is an antiwar cartoon, but a good one, and in the tradition that after all goes back to the Greeks. At the end, the dead Pavlo, head propped up in his Army coffin, wearing the tremulous smile of the child who understands his pain at last, explains what it means: "Sheeeeeit!" It is the ultimate comment on war and atrocity, and Aristophanes would have laughed, along with the Olympic gods. · Horace Judson

Author: /time Magazine | Title: The Theater: Rags of Honor | 4/24/1972 | See Source »

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