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...careful and slightly anemic director, unable to dig out tensions lurking beneath his correct, bland surfaces. The result is a pleasant, pretty entertainment. One suspects that this film is outside its natural element on a theatrical screen, that its mod est virtues would shine to better advantage on PBS. If we had a properly functioning public broadcasting system in the country, American classics like The Europeans might be produced with funds and talent in profusion...

Author: /time Magazine | Title: Cinema: Correct Form | 10/29/1979 | See Source »

...Cheever Stories, PBS, starting...

Author: /time Magazine | Title: Television: Lost Souls | 10/29/1979 | See Source »

...Some day PBS's home-grown dramatic programs are going to be the equal of its British imports-but when? After watching public television's adaptation of three John Cheever stories, one is tempted to despair. Here, it seems, PBS had a sure shot. The scripts are by outstanding playwrights: Wendy Wasserstein (Uncommon Women and Others), A.R. Gurney...

Author: /time Magazine | Title: Television: Lost Souls | 10/29/1979 | See Source »

...only should, but must. TV cameras are in the opera houses and concert halls to stay. More and more broad casts of live performances are scheduled, mostly for PBS. The Met, which experimented with them as early as 1948 and began them on a regular basis in 1977, will do three more this season for North America, plus one to be beamed directly to Europe. A joint Joan Sutherland-Marilyn Home recital next month will begin the Emmy award- winning Live from Lincoln Center series of six vocal, instrumental and dance programs. Coverage of perhaps another dozen special events...

Author: /time Magazine | Title: Music: The Met, the Moor and the Eye | 10/8/1979 | See Source »

...telecast of La Gioconda two weeks ago-some containing unsolicited contributions. To be sure, an episode of Mork & Mindy is seen by 44 million viewers, whereas a top-rated ballet or opera reaches only 8 million or 9 million. But this is easily twice the usual audience for a PBS show, and it is astronomical by the standards of a house like the Met that seats fewer than 4,000 a performance Somewhere among all those viewers out there may be the new audiences that orchestras and operas need to flourish in the future. "In the long range," says...

Author: /time Magazine | Title: Music: The Met, the Moor and the Eye | 10/8/1979 | See Source »

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