Word: peach
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Supported on such lofty principles, Ty Ty sometimes simply cannot understand how the rest of his family can be so beastly. His daughter Dahlin' Jill (Fay Spain) is the sort of Georgia peach that any man can pluck-and several do. His daughter-in-law Griselda (played by Tina Louise, the Appassionata von Climax of Broadway's Li'l Abner) plays her most important role in the hay with her brother-in-law (Aldo Ray), an event that, for one quaint reason or another, gives the fellow's wife almost as much satisfaction as it gives...
...most of them, he wonders what happened to the old dream that leads men like him to try to set intellectual fires in the minds of junior Philistines who have no intention of getting singed. And since Purely Academic is cast as fiction, Henry also lusts after the Georgia peach whose husband is the drearily ambitious head of the economics department...
...questions are: Who will get the presidency, and who will land the Georgia peach when she leaves her husband? Henry gets her, but only for a night. Author Barr is not so academic that he forgets to undress and dress her, striptease fashion. Her final disposition, and the outcome of the struggle for the presidency are fairly routine. Along the way, U.S. students are denounced as dumb fat-cats, professors are cast as unimaginative hacks, trustees are pilloried as cynical businessmen whose least interest is education, and foundations are pictured as troughs fought over by piggish college presidents. Being...
...Episcopal minister of Springfield, Ill. and later a bishop, encouraged Tommy to go to church once weekly, to join the Boy Scouts. Tommy's earliest interest was catching snakes at his family's summer cottage at Lake Paw Paw, Mich, and taking them home in a peach basket. ("We always wondered what happened to that snake that got away in the Pullman," says his sister.) His second interest was foreign nations. His third interest was organizing the neighborhood kids for military drill, in which he was always the commanding officer...
...with a shot that promises a good deal more than the picture delivers. There lies Brigitte, stretched from end to end of the CinemaScope screen, bottoms up and bare as a censor's eyeball. In the hard sun of the Riviera her round little rear glows like a peach, and the camera lingers on the subject as if waiting for it to ripen. Pretty soon an aging lecher (Curt Jurgens) appears, and the two converse with only a sheet between them...