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Certain paintings of Gainsborough's seem to condense a social essence, suggesting what one can only call a poetry of ownership. His marriage portrait of William and Elizabeth Hallett, 1785, usually known as The Morning Walk, is one of these: two peach-skinned 21-year-olds, dressed to the nines in their formal finery of velvet, taffeta, filmy silk and crisp ribbons, adored by the animal kingdom in the shape of a fluffy white dog (whose exuberant coat mimicks the finesse of his mistress's clothes), strolling in their idealized park. Its rhymes between nature and culture-particularly...

Author: /time Magazine | Title: Art: Laureate of the Ruling Classes | 10/27/1980 | See Source »

...framing and backgrounds that serve as leitmotifs for each character. He maintains a persistent symmetry, as if the Torrances were caught in a photographic vise. And he is witty: when Jack makes up his mind to punish Danny, the cartons in the pantry behind him read "Pimento Pieces" and "Peach Slices...

Author: By David Frankel, | Title: A Night in Shining Horror | 6/23/1980 | See Source »

...women win out and, as they were to do throughout his life, inspire and uplift him. To escape the moneylenders, however, he marries a rich widow twelve years his senior-and immediately falls in love with her. Often silly and foolish, but kind and loyal, his Mary Anne (Mary Peach) becomes, after politics, the passion of his life. "Dizzy married me for my money," she says late in life, "but I think if he had to do it again, he'd do it for love." She was right: Disraeli, that most cynical of all politicians, was also the most...

Author: /time Magazine | Title: Television: Climbing the Greasy Pole | 6/2/1980 | See Source »

...kind of story that Disraeli the novelist could have written, and perhaps in his own way did. In this version it seems curiously bloodless, however. The women, particularly Peach and Leach, are splendid, and McShane is adequate. The problem is with the producers: there is too much story packed into too little time. One second Disraeli is out of office; the next second he is in-and then out again. Disraeli is dizzying indeed. The confusion has been added to by the show's American editors, who have cut approximately half an hour from the four episodes...

Author: /time Magazine | Title: Television: Climbing the Greasy Pole | 6/2/1980 | See Source »

...PEACH BOWL: Clemson (8-3) vs. Baylor (7-4)--Baylor in a bowl game? Watch Clemson defensive end Jim Stuckey camp out in the Bears' backfield. Clemson 17, Baylor...

Author: By Bruce Schoenfeld, | Title: Bowling for Scholars | 12/11/1979 | See Source »

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