Word: peake
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Dates: during 1970-1979
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...President," said a recent editorial about busing, "seems determined to keep the people's fear and hatred at the peak until election time, whatever the cost to the nation's children and to its laws." An editorial on the expanded bombing of Viet Nam: "The war that this country's government is waging now is war trivialized . . . and involves us all in the dishonor of killing in a cause we are no longer willing to die for." An article about the Nixon Administration's record on civil liberties, by Richard Harris: "No one can say that...
...death and nothingness is frequent." Both youngsters and oldsters "can pass days in endlessly doing nothing, feeling that there is nothing to do." Besides, the two groups are often alike in being "intensely self-absorbed"; in fact, "the narcissism of old age and the narcissism of adolescence are two peaks in the development of human egotism." Hypochondria, too, can peak in adolescence as well as old age-which Anthony says "is not surprising because, in both, profound bodily alterations are taking place." Frequent changes in self-reliance also occur in old and in young; both alternate between battling for independence...
...number of applicants for the 780 positions in the entering MBA class has declined from a peak of over 3800 two years ago to an estimated 2800 this year, Merseth said...
Morse, to his initial dismay, is pursued by a bona fide rich senior gentleman (Cyril Ritchard). As Morse dances with Ritchard, comes to enjoy being courted and finally announces that he is engaged, the show achieves both its most comic and affecting peak. On a high order of miming, virtually à la Marceau, Morse captures the tremor, tenderness, coquettishness and vulnerability of a girl's first love. Morse is an enormously personable stage presence, and he knows it. The trouble is that he gratuitously does twice what he has perfectly done once. He is a child of excess...
...life is the enemy of art, then death must be its comrade. In the last acts Ibsen moves his characters to a health resort in the mountains--a look forward to Thomas Mann's Magic Mountain where on a peak high above the "real" world, Rubek and Irene are swept away in the mist and snow of a sudden storm. From below, in the bourgeois flatland, resounds the simple voice of Maja in a childish freedom song which is both mocking...