Word: peakes
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Dates: during 1960-1969
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...guitar and sang about everything from bad women to Boll Weevils and droughts. Many of the songs of these people are sung by such contemporary supergroups as Cream, who have done Johnson's "Four Until Late," and "Crossroads" and James' "I'm So Glad." This Blues style reached its peak of popularity in the 1920's and 30's. Though many of the Blues men of this era are dead, their music was revived in the late fifties and early fifties during the folk music area, being copied by people like Tom Rush, John Hammond, John Fahey, Dave Van Ronk...
This music is raw, rude and visceral and is delivered with relentless power. Yet in its own way it reflects the hard, fast, brutal realities of the modern urban ghetto which produced it. This music reached its peak in the late fifties and early sixties when Bluesmen like Elmore James, Sonny Boy Wiliamson, The Muddy Waters Band, B. B. King and others sold thousands of records in the black ghettos of the North and dusty darktowns of the South. Depits its success in black communiites, it was considered too raw, earthy and sexual for the white teenage audience...
...efforts to reduce turbulence, Whitcomb finally hit upon the design for what NASA now calls the "supercritical wing." To reduce the peak airflow speed and move the shock wave farther back on the wing, he drastically flattened the curvature of the upper wing surface. To compensate for the loss of lift that resulted, he increased the curvature near the wing's trailing edge and put a concave contour on the underside. "Some people think that I merely turned the wing upside down," Whitcomb says...
...Charity than any other musical film around. Most astounding, perhaps, is Fosse, who makes his directorial debut with this film. As a Broadway choreographer, Fosse has been one of the outstanding conceptualists, blending his distinctive angular vision of the human form with the demands of a specific show. (His peak probably was How to Succeed, in which he transformed his chorus line into a human typewriter.) In Charity, Fosse manages to capture his dancers' frenetic contortions while never allowing the big numbers to crowd the actors off the screen. He also is fortunate to have a cast that deserves...
...with just a guitar, he gained attention by becoming a one-man band, simultaneously playing a kazoo, tambourine and drum, in addition to the guitar. "He really busked in style," says one admirer. "He used to arrive in a taxi and go home afterward the same way." At his peak, Partridge made $300 a week...