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...needs the new sales outlets more than the recording industry does. Sales for the industry fell 14% from their 1999 peak, to $11.6 billion in 2002, as consumers who were turned off by hefty CD prices and lame products embraced the digital black market instead. Forrester Research estimates that the migration costs the business at least $700 million in lost CD sales annually. Worse, record labels tripped up the progress toward a legal Internet music market by quibbling over rights and hoarding their artists. They spent hundreds of millions on their own online services, alienating consumers by forcing them...

Author: /time Magazine | Title: How to Go Legit | 9/22/2003 | See Source »

...networks have been the subject of controversy since Napster appeared on the scene several years ago. Record companies are fighting to protect their intellectual properties - the source of artists' livelihoods - while at the same time, the technology for downloading music is advancing faster and faster. The conflict reached a peak recently when the Recording Industry Association of America's lawsuit targets included a 12-year-old girl who had downloaded several songs from the KaZaA media network. What do you think? How can the industry protect its copyrighted material, while still adapting to changing technology...

Author: /time Magazine | Title: What should the record industry do to stop — or even accept — online file-sharing? | 9/15/2003 | See Source »

...SUMMIT CONQUERED. By Keegan Reilly, 22, American paraplegic, who reached the top of Mount Fuji using a hand-powered quadricycle; in Japan. Paralyzed from the waist down in a car accident seven years ago, the amateur mountaineer subsequently scaled two other peaks. After starting his Fuji ascent, Reilly was delayed for eight hours by Japanese trail rangers who said bikes weren't allowed. His next goal: Mount Rainier, in Washington, and then Aconcagua, the highest peak in South America...

Author: /time Magazine | Title: Milestones | 9/8/2003 | See Source »

...Daniel Harding, 28, England. Of all the musical professions, conductors tend to reach their peak in later years, after acquiring the life experience and authority to mine the deepest riches of an orchestra. None of which bothers Harding. "It is an older man's game," he concedes. "But the great conductor Wilhelm Furtwängler made his debut at 19, so there are exceptions!" Harding is making his own rules. As a young teenager in Oxford he would conduct groups of friends on weekends. Artistically ambitious, he decided to try a rare piece by Schönberg, but found...

Author: /time Magazine | Title: Roll Over Beethoven | 8/31/2003 | See Source »

...abstraction. For middle-class Jews, he was also the chronicler of the world of their fathers, the poet of that lost, enchanted universe. By the mid-1960s, when Fiddler on the Roof took its title from one of Chagall's best-known motifs, his popular reputation was at its peak. But in the eyes of an art world that had always been a little unconvinced by him, he had become the middlebrow modernist, the go-to guy for shopworn lyricism, bathos and kitsch...

Author: /time Magazine | Title: Art: Magical Modernist | 8/25/2003 | See Source »

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