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Most of the sculptures selected by the Whitney were abstract concoctions of spikes, bumps, lumps, bars and bits of string, and most were dreadful. But Robert Howard's slim pear wood Semaphore was there to show how elegant three-dimensional abstractions can be. Peter Lipman-Wulf's Horse and Man looked as if it had been made for fun from the contents of a carpenter's scrap barrel. Despite its casual air it was as tense and tightly constructed as anything in the show...

Author: /time Magazine | Title: Art: Signs of Spring | 4/17/1950 | See Source »

...Boston's Cardinal Glennon.* Now this brilliant son of a Massachusetts streetcar conductor saw both his soul and his career endangered by his love for a beautiful Italian countess. Instead of concentrating on his papal chores, he kept thinking of himself lying on the grass beneath a flowering pear tree with Ghislana Falerni...

Author: /time Magazine | Title: Books: Poor Kid to Papal Prince | 4/3/1950 | See Source »

When Richard Buckminster Fuller's name is mentioned, most architects chuckle indulgently; a few reverently bow their heads. Sparkling "Bucky" Fuller, a rotund little man who looks more businesslike than he is, long ago startled the U.S. with designs for three-wheeled, tear-shaped cars and pear-shaped "Dymaxion" houses hung from metal masts, but he never succeeded in convincing investors that his ideas were adaptable to mass production - the only kind that interests him. At 54, Bucky confesses without a smile that his one purpose is still to house "the 800 million people now alive who will...

Author: /time Magazine | Title: Art: Bucky, Inc. | 11/7/1949 | See Source »

...scarab of Egypt (Atauchus sacer), for example, Fabre discovered, possesses the instinctive gift of making a perfect sphere of dung for its food and a perfect pear for its larva, even as the bee is born with the gift of making a hexagonal prism...

Author: /time Magazine | Title: Letters, Sep. 12, 1949 | 9/12/1949 | See Source »

...accents to attract the attention of M.C.s, invent fantastic names and laugh-getting occupations. Mrs. Hertz does not stoop to such obvious devices. "I'm comical," she explains, with a gap-toothed grin, "I'm cute." After a fashion, she is. Short (4 ft. 10 in.) and pear-shaped, Sadie looks rather like a good-natured witch (a role she played last Halloween with obvious relish on WOR's Daily Dilemma). Her other assets as a quizgoer include ten years of experience, a bobbing head of tight grey curls, a Brooklyn accent, and an eagerness...

Author: /time Magazine | Title: Radio: The Pro | 5/17/1948 | See Source »

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