Word: peas
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...author a chance to display his marvelous dexterity in contriving all sorts of ironies and subtleties and stage effects out of the relation between Characters and Actors. He is an expert in gimmickry--indeed, the whole play is really a gimmick, a shell game with reality as the pea. Since he is only a clever intellectual prestidigitator, Pirandello may not deserve his exalted reputation as a dramatic master. But he is a strikingly individual play-wright, and in his way a brilliant one. Repertory Boston does right by him and us; it is up to us to do right...
...turn of the century in the day when a few of the boys at Pete Whalen's cigar store talked him into running for Boston's Common Council. Old Ward 17, an immigrant district which included City Hospital and the Mud Flats, had been devotedly tended by tight-fisted Pea-Jacket Maguire who had only recently been hoodwinked into giving up his patronage for the honorific and powerless post of Democratic City Commission Chairmen by John F. Dever, the Uncle of the late Governor. Dever's position was not yet secure; and if Curley could get enough publicity, his friends...
Under the cheesy chinoiserie the plot is the same dreary triangle that has already served so many so badly. There is a fast and loose charmer who tempts the hero, but it is the little snow pea his wise old father had chosen who gets him in the end. All this is unfolded in an atmosphere that varies between Mr. Hammerstein's old Norman Rockwell whole someness and a new, Broadway, meretriciousness of second-rate sick jokes and falsie gags. Mechandizing the cuteness of a whole covey of little children (including one with a hula hoop...
Where, oh where are the pea-green...
...program also included Berlioz, Beethoven, William Schuman). After a lengthy lecture, Teacher Bernstein, microphone clipped to his dress shirt, played a few snatches of the American songs that Composer Ives stitched into his symphony (including, in addition to the pea-green freshmen, America the Beautiful, Camptown Races, Turkey in the Straw). Then, turning to his orchestra, Bernstein whipped it through a fine performance, his hips swaying, his arms flinging wide in a characteristic expression of musical frenzy. A youthful work (1897-1901) by Connecticut's late, largely self-taught Modernist Ives (an insurance broker most of his active life...