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Federal agents seized one copy of La Familia's Bible in a raid last year. Quoted in local newspapers, the scripture paints an ideology that mixes Evangelical-style self-help with insurgent peasant slogans reminiscent of the Mexican Revolution. "I ask God for strength and he gives me challenges that make me strong; I ask him for wisdom and he gives me problems to resolve; I ask him for prosperity and he gives me brain and muscles to work," Moreno writes, using terms that could be found in many Christian sermons preached from Mississippi to Brazil. But on the next...

Author: /time Magazine | Title: Drug-Dealing for Jesus: Mexico's Evangelical Narcos | 7/19/2009 | See Source »

...realist painter Luo Zhong Li caused a stir after unveiling his latest work, “Father,” in Beijing. An enormous, close-up portrait of an expressionless Chinese peasant before a background of yellow landscape, the painting was seen as patronizing and unflattering by many critics. Despite these negative opinions, the work and the ethos that spurred it would become an inspiration for the Chinese cinematic revolution in the decade that followed. The 1984 film “Yellow Earth” from director Chen Kaige is just one of the many works that bears the influence...

Author: By Crystal Huang, CONTRIBUTING WRITER | Title: China's 'Yellow Earth' To Screen at Brattle | 4/24/2009 | See Source »

...Colombia's Family Welfare Institute, offers housing, recreation, counseling, schooling and vocational training to former child soldiers. The 31 boys here are among the nearly 3,000 minors who have given up guerrilla life under a 2003 government amnesty program. The guerrilla groups, formed out of the leftist peasant militias of the 1960s, continue to fight Colombia's government and rightist paramilitary forces but have been greatly weakened in recent years, defeated in battle and diminished by desertion. (See pictures of child soldiers around the world...

Author: /time Magazine | Title: Postcard from Medellín | 4/23/2009 | See Source »

...believe.”)—they all make Morisset’s film and Arcade Fire a little less accessible. The group produces some fantastic music, but they too often resort to trading on their mystique. Their onscreen mawkishness and their fin-de-siècle peasant costumes cultivate an image designed to endear them to the white middle-class (it bears mentioning that the film’s only nonwhite characters are a quartet of black female singers hired to sing backgrounds on a track). Arcade Fire may not be in love with the modern world...

Author: By Jake G. Cohen, CRIMSON STAFF WRITER | Title: Miroir Noir | 4/10/2009 | See Source »

Fahmy's jewelry catches the spirit of Arab traditions. The pieces in what she calls her culture line, the heart of her work since she began designing nearly 40 years ago, are inspired by everything from the hammered silver of peasant wedding jewelry and the repetitive patterns of Islamic architecture to symbols of Arab folklore such as wolf fangs and chili peppers. Trademark touches include blending gold and silver together for an effect that echoes the inlaid brassware found in Middle Eastern bazaars, and echoing the calligraphy used for Koranic verses and Arabic poetry. "Everything I see around...

Author: /time Magazine | Title: Fertile Waters: Azza Fahmy and Julien Macdonald | 3/11/2009 | See Source »

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