Word: peckinpah
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...Major Dundee--Sam Peckinpah directing Charlton Heston directing the Civil War, a picture worth seeing. At the VISUAL ARTS CENTER Sunday night only...
...mail-order bride of the current season-so lovely in anticipation, so disappointing in actuality. Last week the frump finally combed her hair and put on a touch of lipstick. In a spare, dust-dry dramatization of Katherine Anne Porter's novella Noon Wine, Adapter-Director Sam Peckinpah in a single swoop revived much of the all-but-dead hope that serious drama can find a regular place in the TV schedule...
Noon Wine is close in feeling to Peckinpah's prizewinning movie, Ride the High Country. A strange, withdrawn, harmonica-playing Swede (Per Oscarsson) arrives at the small Texas spread owned by an ignorant farmer named Thompson (Jason Robards Jr.). The Swede signs on as a handyman, and in the course of three years not only tunes up the farm operations to perfect pitch but slides, in his remote way, into the heart of the family...
Somber as it is, Noon Wine induced a special glow, partly because of Director Peckinpah's achievement in adhering to the bluntness of the tragedy, partly because of the ungirdled brilliance of his players. Robards, bedecked with a massive home-grown mustache, spread backwoods brio all over the crusty landscape, and Olivia de Havilland, all frailty and flutteriness, tottered after him without losing a step. Author Porter was astonished that show busi ness could be so kind. "After what they did to my poor Ship of Fools," she said last week, "I was just crushed. I didn...
...western apparently had fun filling their script with reminders that the star has previously played such roles as Ben-Hur, Moses and John the Baptist. With Old Testament wrath, he pursues Chief Sierra Charriba through the wilderness in A.D. 1865. But once Heston gets on Mexican soil, Director Sam Peckinpah (Ride the High Country) lets Dundee ramble so freely that the Apaches are soon lost in subplots...