Search Details

Word: peculiar (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...Peculiar Touch. Considering the scale and bulk of his work, it is a trifle startling to see Liberman in his studio among the woods of Warren, Conn.; by what power does this wrenlike Russian contrive to lug about and assemble immense steel objects, which run to 25 ft. in height and several tons in weight? The prosaic answer is that he has an assistant, hoists and a crane; but the preservation of Liberman's peculiar touch on such a scale is impressive. Where, for instance, did he get the great squashed cylinder that went into Ascent, 1970 (opposite)! "Well...

Author: /time Magazine | Title: Art: Sprezzatura in Steel | 4/26/1971 | See Source »

...Peculiar Types. The largest group of collectors is American. Munich Auctioneer Count Arnhard Klenau von Klenova, who conducted last week's sale, claims to know of at least 200 American collectors. In his Hollywood home, Bob Hope has books with Hitler's name plate, several sheets of Hitler's personal stationery and a porcelain dinner plate inscribed "Kanzlei des Führers" (Führer's Chancellery), which Hope acquired while entertaining troops in Germany in 1945. The West Point archives, says the count, are also searching for relics. "Though I personally know only a very...

Author: /time Magazine | Title: WEST GERMANY: Bidding for Adolf | 4/19/1971 | See Source »

Died. Gertrude Kappel, 86, opera star of the 1920s and '30s; in Munich. A specialist in supersoprano parts by Wagner and Strauss, Kappel was admired both for her beautiful voice and her ability to dig deeply into the psychology of opera's more peculiar characters. She sang Elektra in the Metropolitan's first production of the Strauss opera in 1932, upsetting some critics by her classical vocalism in this frenzied role, sending others into raves even for her vivid dancing. Among her admirers was Richard Strauss himself, who at the time preferred her Elektra to all others...

Author: /time Magazine | Title: Milestones, Apr. 19, 1971 | 4/19/1971 | See Source »

...stand unchallenged, similar to the theatrical form Brecht often referred to as "the great struggle for supremacy between words, music, and production." La Hora de los Hornos builds its total analysis of class conflict from a heterogeneous mass of small "cells" or "acts," each of which invents its own peculiar camera-style in contrast to that of its brothers. And within each cell images and sounds struggle within themselves and with each other: dialectics within dialectics. Tracks of the countryside are intercut with zoom-ins on groups and individuals, and set shots of people suddenly zoom-out to include their...

Author: By Fernando Solanas, | Title: A Film Essay on Violence and Liberation La Hora de los Hornos | 4/16/1971 | See Source »

...repertoire. To this end, they put together programs of little known works by great composers, and pieces by more obscure authors. Their program Sunday included Stravinsky's Eight Instrumental Miniatures for Fifteen Players, a series of marvelously pleasant little mood pieces, each a short, refreshing musical exercise with a peculiar beauty; Davies's Antechrist, a strangely medieval piece which the orchestra handled skillfully; and Bach's Suite No. 3 in D Major, a bright, sometimes majestic piece built on sparing major chords which received a thrilling performance...

Author: By Michael Ryan, | Title: The Concertgoer Music at Sanders | 3/31/1971 | See Source »

Previous | 358 | 359 | 360 | 361 | 362 | 363 | 364 | 365 | 366 | 367 | 368 | 369 | 370 | 371 | 372 | 373 | 374 | 375 | 376 | 377 | 378 | Next