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Stripped of its pious rhetoric, Muldoon argues, the council's resolution amounts to a "condemnation of the entire history of the modern world." As such, it represents a peculiar form of intellectual masochism, selectively judging the past by the imperfect standards of the present. Moreover, even sweeping apologies for historical sins are unlikely to satisfy the angry advocates of belated justice for Native Americans, some of whom would settle for nothing less than canceling the festivals entirely...

Author: /time Magazine | Title: Ideas: Good Guy or Dirty Word? | 11/26/1990 | See Source »

Students of White House culture have begun to notice a peculiar strain of what might be called the Las Vegas syndrome. First, UNLV basketball coach Jerry Tarkanian turned up in the Oval Office for a Bush handshake. Then Siegfried and Roy, the lion tamers and Strip headliners, also appeared in the President's office. Finally, during a Bush campaign stopover in Rochester, Minn., who should pop out of nowhere to sing the national anthem but Mr. Las Vegas himself, Wayne Newton. The odd sightings can all be traced to Sigmund Rogich, the President's events coordinator, who grew up dirt...

Author: /time Magazine | Title: Hello, Operator? Get Me Charo | 11/26/1990 | See Source »

Each morning before breakfast this administrator--commonly known as the "Menu Man"--updates the culinary recordings in the peculiar inflected voice that undergraduates have come to count on to warn them of the day's dining hall fare...

Author: By Jeffrey C. Wu, | Title: Few Know Face Behind Voice | 11/10/1990 | See Source »

...exhibition or reading its catalog were dropped as writers like Barbara Rose in the Journal of Art expressed their proleptic disapproval of what the show would be and do. And when at last it opened, Roberta Smith in the New York Times denounced it as "a disaster . . . arbitrary, peculiar and maligning." More maligned than maligning, one might think...

Author: /time Magazine | Title: Art: Upstairs And Downstairs at MOMA | 10/22/1990 | See Source »

...size of the subject virtually ensures that the kind of narrative Gopnik and Varnedoe present works better in the catalog than on the walls. In fact, it is hard to see how any museum installation -- linear and one-track by + nature -- could convey a real sense of the peculiar eddies of cultural flux and reflux that they have set out to describe. Abstract Expressionism, for instance, tended to set itself above popular culture -- yet one of its true icons, De Kooning's 1950 study for Woman, had a smile cut from an ad for Camel cigarettes. The work does...

Author: /time Magazine | Title: Art: Upstairs And Downstairs at MOMA | 10/22/1990 | See Source »

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