Word: pedantics
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...York Public Library manuscripts of course will be a pedant's prize. Task forces of scholars are probably even now forming up, all determined to ignore Eliot's advice, promulgated over many critical, rigorous years in the Criterion, that a work of art must manifest its own significance. Ahead lie long years of scholastic second guesses, tracing the skill beneath the scroll and the doodles that underlie The Waste Land's grand design...
Theatregoers of today can reasonably be expected to show familiarity with the stock characters of the old Italian commedia dell'arte, from which Shakespeare took the five low-comedy figures that Berowne ticks off as "The pedant, the braggart, the hedge-priest, the fool, and the boy." Respectively, Holofernes corresponds to the dottore, Armado to the capitano, Nathaniel to the pantalone and parasite, Moth (a wit) and Costard (a dimwit) to the comic servants (zanni). But it seems that Shakespeare also had in mind here poking fun at such now-forgotten men as Thomas Nashe, Gabriel Hervey, and John Florio...
...MEMORANDUM. Director Joseph Papp introduces Czech Playwright Vaclav Havel to the U.S. with this wacky and pointed satire on bureaucracy and its bombast. Robert Ronan is pluperfect as the prissy pedant of Ptydepe, an artificial office language in which "ah" becomes "zukybaj," "ouch" becomes "bykur," "oh" becomes "hayf dy doretob...
...MEMORANDUM. Director Joseph Papp introduces Czech Playwright Vaclav Havel to the U.S. with this wacky and pointed satire on bureaucracy and its bombast. Robert Ronan is pluperfect as the prissy pedant of Ptydepe, an artificial office language in which "ah" becomes "zukybaj," "ouch" becomes "bykur," "oh" becomes "hayf dy doretob...
Reviving the Spark. "I am not interested in theory or history in collecting, but only in how the item can help me in my performance," Lateiner explains. No pedant, he uses research to "get under the composer's skin" and revive the spark and freshness of the creative impulse behind the music, "to re-create a piece at each time, on each plane, as if it had never been played before...