Word: pedestrian
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Dates: during 1960-1969
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...transcended by the honesty and directness of Siegel's style and a moral concern for the fate of his characters. Clint Eastwood is fabulous, and the Siegel stock company (Susan Clark, Don Stroud) again proves a group of Hollywood's most capable new actors. Marred only by an unfortunately pedestrian last 60 seconds. At the ORPHEUM, Washington...
...this pedestrian production, all that is least attractive in Brecht becomes dismayingly visible. He is a classroom martinet using the stage as a blackboard for his highly debatable theorems. He is forever barking out class-conscious slogans at what he regards as an inattentive crew of playgoing idiots. The Teutonic condescension of the man finally becomes as irritating as it is boring. Inspired direction can mask the defects of monumental didacticism, the preachiness of a Shaw without wit. This Director Vance fails to do. In Houston right now, the playhouse is the thing...
...honesty and directness of Siegel's style and a moral concern for the fate of his characters. Clint East-wood is fabulous, and the Siegel stock company (Susan Clark, Don Stroud) again proves a group of Hollywood's most capable new actors. Marred only by an unfortunately pedestrian last 60 seconds. At the ORPHEUM, Washington...
Even in this decade where film has become a pedestrian academic, a kid making his first movie discovers it all for the first time, regardless of the countless hours spent watching and studying films in theatres, TV screens, or white walls. He discovers first that working behind a camera is physically exhausting; more traumatic is the realization that making a film with actors is often a ruthless procedure, one which requires making your friends take an awful lot of chances. Once you start, you can only push to the finish and hope that those same friends don't get lost...
...simple cases like Carnegie Hall he imparts a sense of total grandeur to the symphony, singling out groups of instruments without losing the greater visual scheme of their physical and musical relationship to the rest of the orchestra. This makes him ideal for that potentially pedestrian assignment, as well as for The Black Cat where Poelzig's house becomes an incredibly grand stage for the anguish displayed...