Search Details

Word: pee (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...maneuvers opening, Hugh Drum's Blue Army of 200,000 was in position east of the Pee Dee River. Fifty miles west were the Reds...

Author: /time Magazine | Title: ARMY: Battle of the Carolinas | 12/1/1941 | See Source »

General Griswold's first thrust was swift. While his fast-moving troops headed east, he dispatched his bombers, "smashed" every bridge across the Pee Dee. The Blues crossed anyhow. A cavalry outfit swam the Pee Dee. Others crossed by pontoons flung across the stream and by the bridges themselves, which became usable again after "repairs...

Author: /time Magazine | Title: ARMY: Battle of the Carolinas | 12/1/1941 | See Source »

...dear dignity's sake, two jazzmen prepared to slough their nicknames. As opening wedge, "Pee Wee" Irwin demanded billing as George "Pee Wee" Irwin. "Muggsy" Spanier became Francis "Muggsy" Spanier. "Fats" Waller, "Cootie" Williams, "Wingy" Mannone, "Buster" Bailey stood...

Author: /time Magazine | Title: Music: New Opera, Oct. 27, 1941 | 10/27/1941 | See Source »

...lead their own. Still another was husky, florid Trumpeter Jimmy MacPartland, who assembled the small band at the Brass Rail this week. Three of that group are men who began in the Austin High period: bespectacled Joe Sullivan, who learned his piano at the Chicago Conservatory; gaunt, elfin "Pee Wee" Russell, famed for his thin, jetting runs and husky growls on the clarinet; boyish-looking, elliptical-screwball-talking Eddie Condon, who can make his guitar a whole rhythm section...

Author: /time Magazine | Title: Music: Back to Chicago | 7/21/1941 | See Source »

...exciting. Jimmy McParland has the lead, and his cornet rips out what you'll recognize as the melody if you can follow the chord sequence. 'George Brunics makes a background foundation on trombone, long, deep, throaty notes which you won't ever hear Tommy Dorsey play. Pee Wee Russell is playing clarinet obbligato, weaving a jerky, almost insane pattern of dissonant, spit-laden phrases, companying his efforts with facial contortions that make you fear for his blood-pressure. And all the time, the rhythm section led by George Wetting's drums and Eddic Condon's guitar, is giving the boys...

Author: By Charies Miller, | Title: SWING | 4/18/1941 | See Source »

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