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...farmers early for all appointments, so it was not much after nine when they began squeezing out of Washington's tiny taxicabs, deploying awkwardly into the huge building. *Inside, their embarrassment quickly wore off (see cut opposite, below). Constricting "store clothes" coats were peeled, exuberant cries of "Yip-pee!" went up and in an atmosphere part camp-meeting and part Saturday-night-at-the-county-fair, sectional lines began to appear...

Author: /time Magazine | Title: FARMERS: It Happened One Day | 5/27/1935 | See Source »

...graduate daughter now studying abroad. Church owns white-folks' houses as well as Beale Street property, and outside his offices at No. 392 Beale St. the Negroes staged their own carnival, "The Opening of the Gates of Ham." In and out of such resorts as the "Swreet Mamma," "Pee-Wee's Place" and the "Echo Pie Emporium" strutted blackamoors with "High Agnes" haircuts, trailed by admiring country cousins. Dicing, dancing and cutting went on hour after hour until the sun once more lit up the tall towers and gleamed on the broad river at Memphis. Thus ended, after...

Author: /time Magazine | Title: STATES 6? CITIES: Good Abode | 5/28/1934 | See Source »

Germans have always felt that when an automobile horn sings out "Tee-poo-pee-pa," it ought to mean something. Before the War only Kaiser Wilhelm's family cars were permitted to carry the polyphonic sirens that were known in the U. S. as Gabriel Horns.† When the Kaiser went, any little clerk with an automobile could speak with the four woodland notes of a Gabriel Horn. Last week the Nazis grabbed the Gabriel Horn for themselves. It was decreed that hereafter when an automobile toots "Tee-poo-pee-pa," it will mean that there goes...

Author: /time Magazine | Title: GERMANY: Gabriel Over Storm Troops | 4/16/1934 | See Source »

Most of the performers in New Faces, a pee-wee revue, lacking a chorus, are unknowns recruited from Hollywood, Broadway and radio by Leonard Sillman who persuaded Elsie Janis and Charles Dillingham to come out of semi-retirement to back his production. Sillman appears in it as a radio impresario teaching a claque how to laugh at bad jokes; as a romantic Negro taxi-starter who fancies himself as Emperor Jones; as a puppet who escapes from his strings and collapses with Pagliacci grimacings. New Faces lacks pace and polish, contains enough wit to make it good entertainment...

Author: /time Magazine | Title: The Theatre: New Play in Manhattan: Mar. 26, 1934 | 3/26/1934 | See Source »

...speaking or scratching her nose, convey the impression that her head is full of thoughts. Consequently, scenes in All of Me which show her as an attentive audience to the curt love making of Raft and his mistress are more effective than they should be. The picture is a pee-wee parable, strident, quick and insincere. Grisly shot: Raft's jump...

Author: /time Magazine | Title: Cinema: The New Pictures: Feb. 12, 1934 | 2/12/1934 | See Source »

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