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Make no mistake: the implications of the peer-to-peer file-sharing movement that Napster pioneered go way beyond pop music. There are already Napster-like services for videos and full-length feature films. Books, blueprints, vintage comics and stock photos may be next in line. Even newspapers and magazines are worried. (Hey, you did pay for this article, didn't you?) The fact is--as the stitching-pattern makers learned the hard way--there's no corner of the so-called content industry, no bit of intellectual property, no idea, that isn't in danger of being Napsterized...
Perhaps. But peer-to-peer file sharing, it's now clear, is here to stay. Even if Napster is driven out of business, there are new, even more intractable sharing systems--notably Gnutella and Freenet--that allow files to be traded directly from PC to PC, without going through a single website like Napster's. These renegade services would be harder to shut down because they have no centralized plugs to pull, no company officers to sue. Former Public Enemy rapper Chuck D got it right: trying to stop file sharing over the Internet, he says, "is like trying...
Even when you've mastered the tricks of trading peer to peer, there are all sorts of hidden pitfalls. Files can take forever to download. Servers can crash or go offline before you finish. Files advertised as containing one song may hold another. Or they may contain a so-called cuckoo egg--a gotcha message posted by anti-Napster activists. Last week Napster users downloading the new Barenaked Ladies single, Pinch Me, and got a version implanted with a "Trojan horse": a spoken message from the band telling fans to buy the song instead. Worse still, P2P files may harbor...
...chief scientist at Sun Microsystems, I have long appreciated the power of networking and of peer-to-peer file-sharing systems such as Napster. And I understand both the Internet ethos that whatever technology makes possible is inevitable and the vague precept that content should be (or will inexorably be) free...
...also be dangerous. If we can't muster the collective will to protect the rights of artists to their books and music, how will we ever control access to the dangerous knowledge provided by these powerful new technologies? Taking both individual and collective responsibility for the consequences of peer-to-peer sharing of digital material is essential preparation for what is to come...